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Alien (Scott, 1979)
Film form
Mise en scene and lighting
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Cards (6)
H.R.
Giger
and
Ridley
Scott
were crucial in the mise en scene and of the design of the Alien
The Alien monster (
Xenomorph
) has been read as a psychosexual symbol, something typical of
Giger's
artwork
The head of the
Xenomorph
is phallic shaped, and various
face-hugger
and
egg
openings have been read as vaginal.
The life cycle of the
Alien
is presents rape metaphors.
The
mise-en-scene
of the spacecraft is industrial and also 'futuristic', adding to the
verisimilitude
of the fil.
The ship itself has been seen as a character in itself, as it's unsettling;
cluttered
spaces,
darkened
corridors and
decomposing
organic matter.
This atmosphere is reinforced by
low-key lighting
making certain areas seem
dangerous
, which adds to the
darkness
of the film.
This decision was made as the team wanted to
shock
the audience and make them feel
uncomfortable.