she's in her earlytwenties but refers to he parents as 'mummy' and 'daddy' - reciprocated by Mr and Mrs B when they refer to her as 'child' and 'childish'
opening of play - presented as materialistic
she will 'neverletitgooutofmysight' - engagementring
we are told by Eric she is talkingaboutcloths in the drawingroom in the end of A1
treated as inferior
Gerald asks 'I'vebeentryinglongenough, haven't I?' which Mrs B answers (in Sheila's place) saying 'Ofcourseshedoes'
treated as inferior - Act2 - Gerald tries to get rid of Sheila from the Investigation
'IthinkMissBirlingoughttobeexcused' - women were treated like they were helpless - Eric is more immature the Sheila but isn'ttreatedlike a child-Sheila is treated like Eva but she is protected as she is middle class
After the interrogation, her personalitychanges a lot
she says to Gerald -
'Youfool - heknows',
'YourforgettingI'msupposedtobeengagedtoahero' -- cuttingthroughGerald's attempt to romanticise they story of interactions with Eva
Returns the ringnotmaterialisticanymore - notgoverned by emotions but by logic and reason
audience should aspire to be like Sheila- own up to mistakes, take ownership, socialresponsibility
she addresses her parents as 'mother' and 'father' in Act2 - to shows she's matured
she also interrupts to answer questions directed at Mrs B (about the Brumley'swomencharity), saying 'Yes,sheis,why?' - dramaticturnaround from when Mrs Banswered for Sheila
Takes the role of Inspector when he leaves -
End of A1 - forces a confession out of Gerald (when he Inspector was withEric)
End of A3 - interrogatesfamily by asking questions
'Fireandbloodandanguish' - mirrorslanguage of Inspector
Priestly uses Sheila to tell the audience to think about theirbehaviour and question the behaviour of others