Unseen Prose

    Cards (35)

    • Welfare state
      1940s
      -NHS
      -State Schooling
      -Benefit system
    • Post - Imperialism
      -breakup of the British Empire
      -Indian Independence in 1947
      -Suez Canal crisis 1956 - condemned for their aggression
    • Industrial unrest
      Miner's strike 1984
    • Thatcherism
      -Known for privatising industries, restricting strike action, capitalist polices and allowing social inequality to grow.
      - viewed as being cruel and heartless to working class
      - others saw her as paving the way to prosperity.
    • Terrorism
      - Irish nationalism - the 'Irish Problem' has been presented peacefully (Sinn Fein) as well as violently (IRA)
    • Cold War
      An impending sense of doom and disaster
      Critiques overbearing governments which interfere with an individual's wisdom
    • Counter-cultural movement
      Rejection of traditional literary forms - experimental, colloquial styles; blurring of popular art forms and literature
      Satire
    • Post - Imperialism
      Consequences of the breakup of the Empire and takes the view of people from countries that were colonised
    • Irish Nationalism
      Compulsive need to 'bear witness' to traumatic events occurring on the national stage.
    • WW2
      -writers felt compelled to reflect on the moral consequences of the enormity of the holocaust's impact
      - exploring the extent of mankind's capacity for cruelty and how crowds of people can be brainwashed into obeying authority figures.
      -fragmentary texts conveying the sense of chaos and destruction created by the war.
    • Counter - cultural movement
      Political demonstrations
      Strikes protesting against economic policy
      1960s permissive society
      Rise of Youth Culture
    • Changing morality and social structures
      Liberalised attitudes to sex / more choices for women
      Fluidity in family structure
      Liberalised attitudes
    • WW2
      -British National Pride
      -Disillusionment with the human condition - man's capacity for evil
      -Reflecting a chaotic, broken and morally corrupt world
      -Heightened sense of social justice
      -Post-war deprivation and shortages making post-war exhaustion.
    • Impact of WW2
      -6 million Jews killed
      -Minority groups attacked and discriminated against
      -the public struggled coming to terms with the vast scale of genocide
    • Cold War
      -Capitalism vs Communism
      -No actual fighting, lots of propaganda from both sides and espionage.
      -Cuban Missile Crisis
    • Protest and suspicion
      e.g Vietnam, Iraq
      The public oppose the government, fear of corruption
    • Rise of youth culture
      politicised student movements, youth seeking to create a distinctive identity apart from the adult world
    • 1960s permissive society
      Liberated attitude to relationships
      Leisure activities - drugs, festivals
      Fashion
      rejection of traditional family structure through communal structures
      Eastern religions
    • Liberalised attitudes to sex
      Introduction of contraceptive pill (1961)
      Abortion Act (1969)
    • Fluidity in family structure
      1969 - divorce act
      Diverse family structures - single parent
    • Liberalised attitudes to sex
      Homosexuality decriminalised (1967)
      Legalisation of gay marriage (2014)
    • Gender
      Opportunities in the workplace
      Pill
      Feminist campaigns 1970s - laws against gender discrimination
      More women in high powered jobs but 'glass ceiling' still evident in many industries
    • Class
      Focus on national unity after WW2
      Creation of the welfare state
      Decline in manufacturing industry - traditional working class branched out into different professions
    • Race
      Influx of immigrants post war to compensate for a labour shortage
      Many faced discrimination, increase in racial violence in 1960s
      Still discrimination but in C21st later generations increasingly celebrate our multicultural, cosmopolitan society.
    • Previously marginalised voices
      - Feminism inspired female writers to foreground their gender experience
      - Formerly colonised people reclaimed their own histories and identities
      -Writers from working-class backgrounds widened the thematic and linguistic range of literature
      - A more liberal cultural climate gave greater freedom in the representation of sexuality and sexual orientation.
    • Feminism
      - sexual revolution of 1960s and feminist campaigning resulted in writers representing sexuality more explicitly in their writing
      - Female writers examined the contradiction between increased personal/professional opportunities for women and conventional expectations.
    • Postcolonial writing
      - strongly critical of the imperialist values and the oppression of native peoples
      - Reflects a sense of duality - feeling torn between their homeland and the site of their displacement. British society often described in a cold way in comparison to warm, affectionate portrayals
    • Regional writing
      - often contacts local dialects, challenging the way in which much of the literary canon is predominantly written in RP.
      - Irish literature - complex relationship to Britain.
      -There are concerns with establishing national identity and reclaiming and revising traditional cultural values
    • Working Class fiction
      Typically have:
      -characters who rage against social hierarchies
      - use of colloquial, idiomatic language to represent the voice of working class characters and challenge traditional literary expression.
      -Feelings of disappointment and disillusionment associated with the 1980s-Thatcherite policies
      -'Angry young men' - provided with education from welfare state but continues to be oppressed for this reason.
      -1970s- angry young men sought to maintain their idealism despite the economic downturn - that meant there was a decline in postwar optimism for radical social change.
    • Homosexuality
      - writers often used experimental stylistic techniques and foreground explicit and deliberately shocking subject matter, raging against the prejudice that homosexuals had historically experienced.
    • Reactions to war and genocide
      - need to 'bear witness'
      - WW2 led to a questioning of human nature and man's capacity for evil
      -often pervaded by a sense of anxiety over the possibility of imminent disaster a nuclear annihilation
    • Existentialism
      - a movement in philosophy and literature that emphasises individual existence, freedom and choice
      -based on the view that humans define their own meaning in life, and try to make rational decisions despite existing in an irrational universe
      -focuses on the question of human existence, and that there is no purpose or explanation at the core of existence.
      -as there is no God or any other transcendent force, the only way to counter this nothingness is by embracing existence
      -the two World Wars are often said to have caused a rise in this, due to the scale of violence and evil that occurred which people struggle to make sense of.
    • Settings
      -trend of locating novels in urban landscapes
      -the impersonality of these locations serves as an effective backdrop to writers seeking to portray feelings of social/cultural alienation, divides within society and the frenetic pace of modern life
      -some writers have included idealised pastoral landscapes to their work, presenting nature as being a benign force, seeking to reconnect with earlier traditions and to escape the complex modern world
    • Englishness
      - some look back nostalgically on a vision of Englishness associated with the pastoral rural world and traditional community rituals, and view the contemporary urban, industrialised England with disillusionment.
      -the rise of multiculturalism has led to migrant writers providing an outsider perspective on 'Englishness' and seeking to assert their own values
    • Magic realism
      - involves the reshaping and manipulation of conventional literary realism to accommodate fantasy, myth, fairy-tale and other non-canonical generic forms
      -used by writers who want to transcend the constraints pf a traditional narrative strategy as part of a challenge to the established literary canon, especially from postcolonial or feminist perspectives
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