'out damnedspot! out, I say!' + 'here's the smell of blood still.' + 'wash yourhands.' A5S1 during somnombulance
regicide
END OF PLAY
kingship
guilt
mental instability/conflict
'all the perfumes of arabia will not sweeten this little hand.' A5S1
femininity
END OF PLAY
guilt
supernatural
ambition
appearance vs. reality
free will
regicide
'stop up theaccessandpassage to remorse' + 'take my milk for gallyoumurderingministers'
beginning of play
ambition
femininity
supernatural
kingship
'unsex me here!' + 'fill me from theCROWNto the toetopfull of direst cruelty.'
femininity
kingship
regicide
ambition
supernatural
appearance vs. reality
'come you spirits, that tend on mortal thoughts.' A1S5
supernatural
ambition
femininity
'come' imperative
A1S7 'when you durstdo it, then you were a man' + 'too fullofthemilk of human kindness' + 'screwyourcourage to thesticking place, and we'll not fail.'
'durst do' alliteration
femininity
supernatural
ambition
'myhands are of your colour but i shametowear a heart sowhite.' A2S2 after duncan
guilt
supernatural
ambition
appearance vs. reality + authorial intent
'your face, my thane, is a book where men may read strange matters' A1S5
'my thane' not 'my king' emasculates him
femininity
ambition
'stop up the access and passage to remorse' A1S5
'The access and passage to remorse again make her body akin to a building, here the castle—it evokes barred gates, locked doors, locked rooms, and no way out as much as in. She is fortifying herself against the compunctious visitings of nature'
ambition
femininity
supernatural
A5S1 'Look not so pale.' Links to the quote macbeth says 'cancel and tear that greatbond which makes me pale' about BANQUO. Later in Lady Macbeth's somnombulance she says 'Banquo's buried, he cannot come out.'
cements the notion that Lady Macbeth is reliving her past; this is probably because she is so ridden with guilt. Perhaps she wishes she can undo her actions. The caring tone also evokes femininity. She may miss the femininity she had and wants to relive it.