Film content includes what the film is presenting;
film form refers to how the is presented.
Film Information - Title of the film | Year of the film/ release date | Names of actors and actresses | Director | Genre
Literary design consists of the story ideas and the script. The story ideas include the characters and their actions in the story, the setting of the story, the setting of the story, and any background story or subtext.
Visual design consists of what we see on screen/inside the frame, a very
broad category of components: performance, blocking, lighting, costume,
set, and props.
key lighting
the brightest light hitting the front or side part of the subject; the most
prominent light in a frame
fill lighting
the light that counters the key light usually at an angle of 60 degrees;
the light that fills in the shadows
back lighting
the edge light to the rear portion of the subject to add contour; the light
usually shoots down from a high angle
high key/soft lighting
characterized by heightening the key light and using fill lights generously
to make the scene bright and open
low key/hard lighting
characterized by having fewer light source and a lot of shadows with
sharp contrasts between dark and light
natural lighting
using and modifying the natural light such as the sun and the moon that
is already available at the location
motivated lighting
using lamps, light bulbs, lanterns or flashlights around the set can be
used to light a scene
Cinematography deals with the choices that are made for the camera – the placement of the camera toward the subject, the lens choice, the camera movement. The director can choose from a number of shots to amplify emotions and movements. Listed next are the basics.
Camera Frame: how much of the subject is seen in the frame
Lighting: communicates mood, sets the scene and the subject
close up shot
subject’s face and/or neck is seen; facial expressions are emphasized
long shot
entire subject and set is shown; actor’s space in the setting is focused on
medium shot
actor can be seen from the waist up; gestures are emphasized
Camera Angle: where the camera is positioned in reference to the subject
low/superior angle shot
subject is filmed from below; subject seems larger and more powerful
high/inferior angle shot
subject is filmed from above; subject seems smaller and weaker
eye level angle shot
camera is positioned evenly with the subject; neutral perspective
Camera Movement: how the camera follows the subject
pan
camera stays stationary, but moves left to right on a fixed point
tilt
camera stays stationary, but moves up and down on a fixed point
zoom
focus of a stationary camera changes within a shot; making the object
appear closer or farther away
dolly
camera moves on a dolly, in a person’s hands,
Sound design deals with the sound components, what we hear in the film. Dialogue editing, sound effects and music contribute to the story.
Sound: where the source of the sound is
diegetic
source of the sound is seen within the frame
example: tweeting sound from a bird; the bird is seen in the frame
non-diegetic
source of the sound is not seen within the frame
example: tick-tocking sound from a clock; no clock is seen in the frame
Editing is the sequencing of the shots in the film. Editors decide on the order
and the duration of the shots, the visual transitions from scene to scene,
and visual effects. Listed below are some of the basics.
long take
a take wherein the camera rolls for 90 seconds of more depending on
the film
gives more time for the audience to take in the scene
short take
a take that is fast-paced; a take that shifts to the next quickly
creates rapid, energetic feel and can be used to create suspense
cut
joining two shots together without any transition effect
fade
(out) when the shot on a screen shifts to black, white, or some other color or (in) when a color shifts to a shot
dissolve
when a shot slowly fades away while the next shot fades in