Devastated by the news but equally hopeful that they could be together, Gatsby engages in illicit business deals to make his life financially compatible for Daisy’s tastes.
When Daisy allows Gatsby to take the blame for Myrtle's death for which she is responsible and leaves town with Tom instead of attending the funeral, her true nature is exposed.
Daisy's cynicism about her role and her daughter's future role is signalled by her statement that she hopes her daughter will be "a beautiful little fool" because "that’s the best thing a girl can be in this world".
Nick is captivated by Daisy's exquisite beauty, which masks her essential lack of character and her reluctance to take any responsibility for her life and her actions.
The gender contradictions inherent in American society in the time the novel is set have their counterpart in Daisy’s outward submissiveness versus her inner cynicism.
Daisy's passivity is highlighted as she waits for her life to be shaped, and she is not fussy about the nature of the force that shapes it, revealing her lack of moral principles and foreshadowing her actions at the end of the novel, when she abandons Gatsby in favour of comfort.
Daisy's ability to face her present reality allows her to pursue the opportunistic affair with Gatsby, providing her with temporary satisfaction as she knows she is not bound by her actions.
Myrtle's impulsive pursuit of an affair with Tom contrasts with Daisy's calculated affair with Gatsby, as time for Myrtle acts as an object of fear, as she is afraid of living a wasted life like her husband, trapped in the Valley of Ashes and its decaying effect on her dreams and aspirations.
Daisy is associated with nature and musicality, indicating her natural beauty, but despite these associations, both she and her world are judged as artificial by Nick, toning down this otherwise romantic description.
The contrast and negation of the words 'happy' and 'unhappy' shows how social security is a selfish middle-way that provides sustainability and endurance to Buchanan's marriage and successfully destroys Daisy and Gatsby's relationship.
Money and social status do not guarantee the Buchanans happiness, as they both search for love or pleasure in their extra-marital affairs, but provides an anchor which they "retreat" to after acquiring or temporarily indulging in their desires.
1920s America is referred to as the 'Roaring Twenties', the age of jazz, of Prohibition but liquor in great quantities, and of the flapper: a woman with a bob and painted lips, found on the dance floor doing the Charleston.
The third interpretation of Daisy's behavior is that she is simply overwhelmed by the emotion of their reunion, but her subsequent behavior sheds doubt on this thesis.