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THE ODYSSEY
The Odyssey Modern Scholarship
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Cards (88)
Rieu
has a
well-knit
plot, psychological interest and
interplay
of character
Davenport
the illiad is a poem about force, the odyssey is a poem about triumph of the mind over force
Jones
the odyssey makes the household the
centre
of its world rather than the
battlefield
Halverson
the odyssey is a defence and reaffirmation of oikos in the threat of
erosion
Halverson
oikos is a more central and dominating issue than nostos
Morrsion
Odysseus-
recognition
scenes with
Telemachus
,
Argus
and
Eurycleia
shows him as a lord and
master
of the house
Morrison
there are costs to revealing your name, choosing to conceal it might have
benefits
Jones
false tales show his expertise and ease in telling
false tales
, shows off his
talents
Jones
three ways to describe: loyal hero husband; anti-hero; eternal wanderer
Jones
story allows him to show off his own
heroism
(books
9-12
)
Bowra
need for cunning
reinforced
by his own
recklessness
Finley
penelope
is key to
unity
of poem
Griffin
marriage bed
is a symbol of the solidity of their
relationship
Wilson
Penelope is strong-willed, she has grit, she has a vivid imagination, she's loyal, she's competent mostly single mother
Smith
development and maturation of
Telemachus
from weak and powerless, to slaying his
tormenters
Bowra
suitors are the other extreme from true
nobility
, degenerate corruption of
heroes
Morrison
the suitors are terrible guests and clearly
violate
the code of
xenia
Camps
supernatural
powers are at work
everywhere
Griffin
presence of
divine agents
enables the poet to show the
meaning
of events and the nature of the world
Wilson
vision of
empowered femininity
in the Odyssey, but it is conveyed in the world of the
gods
not mortal world
Wilson
the odyssey traces deep
male
fears about female
power
Jenkyns
many types of women in the odyssey:
Nausicaa's
maidenly tendresse; Calypso the passionate woman;
Circe
the divinized good-time girl
Morrsion
arrival
in
Ithaca
is a spiritual rebirth
Morrison
, not reliant upon the gods
Odysseus contemplates his options and makes
independent
decisions, only taking the advice and
favour
of the gods.
Lonley
, tisis
Tisis
(
retribution
) helps agents determine what is just and unjust and who is good and bad.
Davenport
, Odyssey vs Iliad
The
Iliad
is a poem about force, the
Odyssey
is a poem about the triumph of mind over force.
Camps
, characters
The poem exhibits a vast range of characters from all parts of society.
Camps
, Trojan war
The Odyssey looks back on the Trojan war with grief and
regret.
Bowra
, Odyssey vs Iliad
The Odyssey is
less
heroic than the Iliad because
Odysseus
faces monsters and his
inferiors
rather than his equals.
Griffin,
justice
Justice
in the Odyssey is both
seen
and
done.
Rieu, epithets
Epithets
are used to remind us of the
eternal
qualities of people and objects.
Morrison, Agamemnon
Figures of the Agamemnon story are
role models
, both
positive
and negative.
Jones, oikos
The household, rather than the battlefield, is the centre of the
Odyssey.
Jones
, order
Order is found and
reasserted
through
faithful
servants.
Halverson, oikos
The
Odyssey
is a defence and reaffirmation of
oikos.
Halverson
, oikos vs nostos
Oikos
is more central to the Odyssey than
nostos.
Rieu
, Eumaeus and Eurycleia
Eumaeus and
Eurycleia
represent what the
palace
used to be like and will be again when its master is restored.
Austin
, order
The two servants are
stalwart
paradigms of
order.
Griffin
, oikos vs kleos
A good husband and father like Odysseus does not throw away his life for
glory.
Jenkyns
, society
The Odyssey gives
prominence
to all members of society:
slaves
, beggars, women, even a dog.
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