Kambili and Jaja both come of age in Purple Hibiscus as a result of their experiences.
The book opens with Jaja rebelling against his devout Catholic father by skipping communion on Palm Sunday, an important religious holiday.
The following chapters detail the events that culminate in Jaja’s defiance.
The book is narrated by Kambili three years after this incident.
Kambili has been stunted by the severe punishments of her father, barely speaking and finding her own voice throughout this ordeal.
Both Kambili and Jaja take steps towards adulthood by overcoming adversity and being exposed to new thoughts.
Part of growing up is building your own identity by choosing which paths to follow.
In Enugu, the only path Kambili and Jaja are allowed to follow is Papa.
Papa writes out schedules and severely punishes them when they stray.
When Kambili and Jaja visit their Aunty Ifeoma in Nsukka, they are astonished by what they find.
Aunty Ifeoma's home is small and devoid of luxuries, but there is love and respect.
Her children Amaka and Obiora are allowed to question authority and choose their own paths.
Obiora, though he is three years younger than Jaja, is articulate and protective.
Obiora has been initiated into Igbo culture by performing a rite of manhood.
Jaja was not allowed to participate in Obiora's initiation and is ashamed that he is lagging behind his cousin.
In Nsukka, Jaja is encouraged to rethink his allegiances and make his own decisions.
Violence begets violence.
Over the course of the novel, both Kambili and Jaja must come to terms with the lingering after-effects of colonialism in their own lives.
Papa and his paper, the Standard, are critical of the corruption that is ushered in by a leader who is not elected by the people.
Amaka assumes that Kambili follows American pop stars while she listens to musicians who embrace their African heritage.
Aunty Ifeoma encourages Kambili to reconsider her stance on Papa - Nnukwu.
After Nigeria declared independence from Britain in 1960, a cycle of violent coups and military dictatorship led to civil war, which led to a new cycle of bloody unrest.
He is wrathful towards his children when they stray from his chosen path for them.
Kambili and Jaja understand firsthand the struggle of their cousins.
Ironically, Papa is a self-righteous dictator in his own home.
His home, modernized up to Western standards, is for appearances only.
They both adjust to life outside their father’s grasp by embracing or accepting traditional ways.
In Purple Hibiscus, there is a coup that culminates in military rule.
Kambili and Jaja are kept away from the unrest at first.
Even democracy is hindered by the widespread corruption in the government.
In the wake of Ade Coker’s death, Papa beats Kambili so severely she is hospitalized in critical condition.
The children are not allowed to watch television.
Nigerian politics are intertwined with the internal drama of the Achike family.
There is emptiness in his home just as his accent is falsified in front of whites.
The trappings of Papa’s success are hollow.
They witness protests, deadly roadblocks, and harassment from the safety of their car.
Kambili has been taught by Papa, her grandfather is a heathen.
After witnessing his innocence ritual, Kambili questions the absolute rule of her father.
Both Kambili and Jaja take major steps towards adulthood by claiming their individuality.
Only with Aunty Ifeoma can Mama behave authentically.