In art historical terms, "pre-conquest" refers to the period before colonization.
Burraq, a horse with the head of a woman, is also an important figure.
In stylistic terms, "indigenious" refers to the art before colonization.
In cultural terms, "pre-colonial" refers to the art before colonization.
Art before colonization was integrated within rituals and was all expressions of daily life.
Ethnic musical instruments include Kudyapi, a three-stringed guitar, Kulintang, an array of bossed gongs, Gansa, a flat gong, and Agong, a large bossed gong.
Talip is a courtship dance mimetic of the movements of wild fowls.
Inamong of Matigsalugs and Kadaliwas from T’boli represents the comedic movements of a monkey.
Tinikling is a dance evocative of the movements of the crane balancing itself on stilt-like legs or flitting away from the clutches of bamboo traps.
Bulul, a granary god that plays an important role in rituals, is an anthromorphic bulul that appears in containers, bowls, and spoons.
Hagabi, a wooden bench that marks the socio-economic status of the owner, is a symbol of Christianized communities in Paete Laguna and Betis Pampanga.
Sarimanok is the stylized design of a bird holding a fish in its beak and/or standing on a base in the shape of a fish.
Naga has the form of an elaborate mythical serpent or dragon with a vigorous S-curve and numerous curvilinear motifs to suggest its scales.
Pako rabong is a stylized growing fern with a broad base gracefully tapering upwards.
The sarimanok and naga are found in the panolong, the extended floor beam, and the interior beams and posts of the large sultan’s house called torogan.
The Manunggul Jar, excavated in Manunggul Cave Lipunan Point Palawan, is dated to the late Neolithic Period (890-710) and has two anthromorphic or human forms atop the lid.
During the Metal Age (5 BC-225 AD), another type of anthromorphic jars was produced with the human figure more pronounced with the lid as the head and base as the body.
Brass Kendi and Gadur are used in ceremonies and are cherished as status symbols or as heirloom pieces.
Pottery in the Philippines was associated with daily use items such as the palayok (clay pot) for cooking and the banga and tapayan (clay pot) for storing liquids.
Islamic forms are incline to project, grow or have an upward orientation.
Lotoans are betel nut boxes of various shapes.
The gardens within the Mosque compound or even outside homes are incline to project, grow or have an upward orientation.
Luhul or canopy that takes inspiration from the tree of life.
The T'boli in particular are known for wearing brass chains, bells and colorful beads.
The courtyard or Ka'bah a black shrine believed to be built by Prophet Muhammad himself.
The area of water supply serves as the function of ablution or cleansing in the Mosque.
Visayas is known as "Islas de los Pintados" shared by Southeast Asia and New Zealand.
Ovaloid Baskets are made of nito and bamboo and are used as a head sling to carry harvest.
Islam was already well entrenched in Southern Philippine where it continues to be culturally dominant.
The notion of Tawhid or Unity with God emphasizes the impermanence of nature and the incomprehensible greatness of the divine Being.
In Vigan, Ilocos the making of burnay pottery continues as a lively tradition.
Abstract forms and patterns are common in Islamic art.
The Octagonal base in Islamic architecture symbolizes the spirit while the four sided main base refers to the earth or material world.
Parts of the Mosque like the mihrab or niche and the Qibla wall are oriented toward the west.
Bubo are fish traps made of sturdy bamboo strips in the Ilocos region.
Interior of mosques are covered with elaborate patterning in the form of reliefs.
Tepo Mat is a colorful double layered mat of Sama of Tawi-Tawi made of pandan leaves.
Pis syabit is a headpiece woven by Tausug of Sulu.
Abubakar succeeded the throne and established the Sultanate of Sulu.
Textiles are not only functional but also impart knowledge about people's belief systems, the reverence for spirits and nature criteria for beautiful and the society's sociopolitical structure.