[maude clare is] a clear critique of dominant masculinity
Barbara Morden - allegory
an allegory of sexual transgression
Simon Avery - female independence
[rossetti's poetry encourages women] to claim independence and agency
simon avery - position in marriage
Rossetti examines women's position in society through consideration of the institution of marriage
Escobar - fallen women
if a woman fell she fell utterly
Simon Avery - religious doubt
Rossetti's poems repeatedly struggle with religious doubt, frustration and fear
Sarah Philips - struggle
struggle of female piety against corruption
Simon Avery - religious justification of patriarchy
at times she used the Biblical idea of woman's subordination to man as reason for maintaining the status quo
Bocher - religious influence
religious view affect everything she wrote, regardless of topic
Bocher - love of god
Rossetti's love for god always trumps the love of another human
Scholl - forbidden fruit
Rossetti alludes to the traditional discourse of forbidden fruit and the biblical account of the Fall. She does so both to challenge the decidedly patriarchal perception of women within Victorian culture ... and also to reconstruct the Christian idea of redemption
Touché - longings
longings and cravings are ever present in Christina Rossetti's poetry, especially in poems such as 'Goblin Market', whose deeper root was sexual frustration
Bocher - love
Rossetti predominately expresses an emotional love - and not a sexualised love
Kathleen Blake - woman in love
Rossetti makes the woman in love the emblem of radical insufficiency and dependence upon external dispensation
Betty Flowers - danger of marriage
explore what she saw as the great danger that the Victorian cult of love and marriage posed to the souls of women
Bocher - presence of god
God is always present, is always there - sometimes in the foreground, sometimes in the background
Anthony Harrison - earthly love
focus is not on the possibility of fulfilling earthly love, or upon betrayal in love, but rather renunciation
Virginia Woolf - rossetti's god
a god who decreed that all pleasures of the world were hateful to him
Mermin - rebellion
Rossetti stopped trying to rebel: in her devotional writings she finds an appropriate place for a conventional woman's voice
D'Amico - magdelene
we can assume that since Rossetti was involved in a cause that sought to reform these women, even return them to the family structure, she must have believed a fallen woman need not forever be a social outcast
Barbara Morden - covering herself
Rossetti is covering herself against the charges of ungodly and unfeminine discontent
Lynda Palazzo - fall of eve
Rossetti has radically rewritten the Fall of Eve in terms of the social and spiritual abuse of women which she sees around her and includes more than a hint that male gender oppression be interpreted as original sin
Simon Avery - radical
her views may not be 'radical' as such, but they are usually far from conservative and often question, challenging and potentially subversive
Simon Avery - no thank you john
by rejecting a potential suitor, the speaker asserts the right to say 'no'. ... the suitor isn't given a voice, showing the power dynamic as she turns his argument against him
Sullivan - worldly existence
[rossetti's] hope for meaning and clarity and completeness must be deferred until she can escape from the self-destructive cycles of worldly existence