Ethnic Philippine gong music can be divided into two types: flat gong (gangsà) in the Cordillera region and bossed gongs played among Islam and animist groups in the southern Philippines
Hispanic influence in Filipino culture, especially in Tagalog and Visayan regions, seen in folk and traditional music like Sarswela and Rondalla
Filipino traditional music includes:
Awit: a 12-syllable quatrain Filipino poem
Korido: a popular narrative metrical tale and poetry
Kundiman: an art song about love
Balitao: an old Visayan folk song and dance for debates
Bamboo music: a band using improvised bamboo instruments like piccolo, tuba, clarinets, flutes, and saxophones
Classifications of Philippine traditional musical instruments:
Bamboos that are blown: aerophones
Bamboos that are struck: idiophones
Bamboos that are plucked: chordophones
Contemporary Philippine music, also known as "New Music," adopts elements of 20th-century Western music and the latest trends in the entertainment industry
Famous Filipino composers of contemporary music:
Antonio Jesus Molina: conductor, composer of "Matinal," taught at UP Conservatory of Music
Alfredo Santos Buenaventura: member of a band, organist, composed religious songs and hymns
Lucrecia Roces Kasilag: instrumental in developing Philippine music, incorporated traditional music, founded Bayanihan Folk Arts Center
Dr. Ramon Pagayon Santos: studied composition and conducting, influenced by avant-garde music
Ryan Cayabyab: composer of eclectic, modern, and popular music, won numerous awards
Other Philippine contemporary music composers:
Nicanor Abelardo: composer of the UP official anthem "UP naming mahal"
Ramon Tapales: first Dean of the UP College of Music, composed Philippine Suite
Antonio Buenaventura: composed music based on folk songs of ethnic groups, Mindanao Sketches
Jose Maceda: ethnomusicologist, investigated music in Southeast Asia, composed Ugma-ugma
Characteristics of traditional Philippine music:
Influenced by other cultures due to intercultural meetings or colonization
Ethnic Philippine gong music can be divided into two types: flat gong (gangsà) in the Cordillera region and bossed gongs played among Islam and animist groups in the southern Philippines
Hispanic influence in Filipino culture, especially in Tagalog and Visayan regions, seen in folk and traditional music like Sarswela and Rondalla
Filipino traditional music includes:
Awit: a 12-syllable quatrain Filipino poem
Korido: a popular narrative metrical tale and poetry that forms a ballad
Kundiman: an art song about love in ¾ time signature and minor to major key shift
Balitao: an old Visayan folk song and dance for debate
Bamboo music: a band using improvised bamboo instruments like piccolo, tuba, clarinets, flutes, and saxophones
Classifications of Philippine traditional musical instruments:
Bamboos that are blown: aerophones
Bamboos that are struck: idiophones
Bamboos that are plucked: chordophones
Contemporary Philippine music (New Music) adopts elements of 20th-century Western music and latest trends in the entertainment industry
Famous Filipino composers of contemporary music:
Antonio Jesus Molina: conductor, composer of over 500 compositions like "Hatinggabi" and "Pandangguhan"
Alfredo Santos Buenaventura: composer of religious songs and hymns like "Maria Makiling" and "Gomburza"
Lucrecia Roces Kasilag: incorporated traditional music, composed over 250 works like "April Morning" and "Elegy of Mt. Pinatubo"
Dr. Ramon Pagayon Santos: studied contemporary music, compositions include "Awit Panaghoy" and "Pompyang at Iba pa"
Ryan Cayabyab: composer of eclectic, modern, and popular music, won numerous awards for compositions in various genres
Other Philippine contemporary music composers:
Eliseo Pajaro: received Republic Cultural Heritage Award twice, composed "Ode to Academic Freedom" and "Himig Iloko"
Ramon Santos: commissioner of the sub-committee of the Arts of the National Commission for Culture and the Arts, compositions include "Awit Panaghoy" and "Pompyang at Iba pa"
Rosendo Santos: listed in the New Groves Dictionary of Music and Musicians, compositions include "Suite Brevet for Clarinet, Alto Saxophone and Piano" and "Fantasy for Contrabass and Harp"
Characteristics of traditional Philippine music:
Influenced by other cultures due to intercultural meetings or colonization
Ethnic Philippine gong music can be divided into two types: flat gong (gangsà) played in the Cordillera region, and bossed gongs played among Islam and animist groups in the southern Philippines
Hispanic influence in Filipino culture, especially in Tagalog and Visayan regions, seen in folk and traditional music like Sarswela and Rondalla
Filipino traditional music includes:
Awit: a 12-syllable quatrain Filipino poem
Korido: a popular narrative metrical tale and poetry that forms a ballad
Kundiman: an art song about love in ¾ time signature, usually in a minor key shifting to major
Balitao: an old Visayan folk song and dance for debate
Bamboo music: a band using improvised bamboo instruments like piccolo, tuba, clarinets, flutes, and saxophones
Classifications of Philippine traditional musical instruments:
Bamboos that are blown: aerophones
Bamboos that are struck: idiophones
Bamboos that are plucked: chordophones
Contemporary Philippine music, also known as "New Music," adopts elements of 20th-century Western music and the latest trends in the entertainment industry
Famous Filipino composers of contemporary music:
Antonio Jesus Molina: conductor, composer of over 500 compositions like "Hatinggabi" and "Pandangguhan"
Alfredo Santos Buenaventura: composer of religious songs and hymns like "Maria Makiling" and "Gomburza"
Lucrecia Roces Kasilag: incorporated traditional music, composed over 250 works like "April Morning" and "Elegy of Mt. Pinatubo"
Dr. Ramon Pagayon Santos: studied contemporary music, compositions include "Awit Panaghoy" and "Pompyang at Iba pa"
Ryan Cayabyab: composer of eclectic, modern, and popular music, won numerous awards in film, television, and recording industries
Other Philippine contemporary music composers:
Eliseo Pajaro: received the Republic Cultural Heritage Award Twice, composed "Ode to Academic Freedom" and "Himig Iloko"
Ramon Santos: commissioner of the sub-committee of the Arts of the National Commission for Culture and the Arts, compositions include "Awit Panaghoy" and "Pompyang at Iba pa"
Rosendo Santos: listed in the New Groves Dictionary of Music and Musicians, composed "Suite Brevet for Clarinet, Alto Saxophone and Piano," "Two Poems for Flute," and "Fantasy for Contrabass and Harp"