Exposure

• Exposure in a nutshell

  Exposure is written from an authentic first person perspective, as Wilfred Owen wrote it in 1917 whilst he was fighting in the trenches of World War I. He was killed just before the armistice in 1918, and the poem was published after his death. The topic of the poem is war, but it specifically focuses on the sheer monotony of daily life for many soldiers, as well as the harsh conditions they were exposed to, even when not actually engaged in fighting. The suffering is made worse, in the speaker’s mind, given the fact that the war seems to accomplish nothing ultimately. Owen used simple language in this poem because he wanted people to understand the awful realities of war. Therefore, the main themes in the poem are the conflict between the propaganda and the harsh reality of war, and human versus nature as the soldiers are engaged in their own struggle to survive the bleak conditions, as well as the war itself.
• Exposure breakdown

  Lines 1-5

  “Our brains ache, in the merciless iced east winds that knive us…

  Wearied we keep awake because the night is silent…

  Low, drooping flares confuse our memory of the salient…

  Worried by silence, sentries whisper, curious, nervous,

  But nothing happens.”
• Translation

  • The first stanza describes the physical conditions the soldiers were experiencing, as well as their mental state
  • The soldiers are physically and mentally exhausted
  • Their “brains ache” with the strain of being constantly vigilant in case of attack
  • Ironically, it is the wind, rather than the enemy, which attacks them
  • The silence is the thing that concerns them the most, as the soldiers have no way of knowing when or where the next attack will come from
  • Attempts to light up the landscape with “low, drooping flares” only serves to make the situation more confusing
  • But despite all of the tension and watchfulness, “nothing happens”
• Owen’s intention

  • Owen personifies the east winds as metaphorically stabbing the soldiers with its chill
  • Here, the poet indicates that nature might be as dangerous to the soldiers as the enemy
  • This is reflected in the poem’s title, 'Exposure', which indicates the risk the soldiers face by being stuck out in the cold for extended periods of time
  • By opening the poem with reference to the soldiers’ “brains”, Owen is also commenting on the psychological impact of war
  • The line “Worried by silence, sentries whisper, curious, nervous,” indicates the conflicting emotions the soldiers experience, constantly on edge and watchful
  • The poet here begins to use the refrain “But nothing happens” which is repeated throughout the poem
  • The implication here is that this refrain extends beyond just this specific moment; it could just as well be referring to war itself
  • In other words, war is futile, meaningless and changes nothing
• Lines 6-10

  “Watching, we hear the mad gusts tugging on the wire,

  Like twitching agonies of men among its brambles.

  Northward, incessantly, the flickering gunnery rumbles,

  Far off, like a dull rumour of some other war.

  What are we doing here?”

  Translation

  • While the soldiers keep a look-out, the wind rattles the barbed wire set up as a defence around the trenches
  • It sounds like the twitching of dying men caught on the wire
  • They can hear the constant gunfire from the north, but it sounds so far as if it is in a different war
  • The narrator questions why they are even there, if there is no actual fighting
• Owen’s intention

  • Owen again personifies nature as angrily “tugging” on the barbed wire
  • He follows this up with a brutal simile, comparing the wind’s actions to the dying twitches of men caught in the wire
  • Again, Owen suggests that the battle to survive against nature is just as dangerous as the battle against enemy soldiers
  • In this stanza, Owen also introduces the idea that war is always present, even when it is not immediately visible
  • The use of the rhetorical question at the end of the stanza reinforces the confusion of the soldiers at the situation in which they find themselves
• Lines 11-15

  “The poignant misery of dawn begins to grow…

  We only know war lasts, rain soaks, and clouds sag stormy.

  Dawn massing in the east her melancholy army

  Attacks once more in ranks on shivering ranks of grey,

  But nothing happens.”

  Translation

  • The narrator observes the sun once again beginning to rise, and the only certainty in their lives is that the war drags on
  • There seems to be no end to this living hell
  • The narrator likens the dawn to a military leader gathering its army of freezing storm clouds
  • This army of nature then “attacks once more”, but once again there is no actual physical action
• Owen’s intention

  • The poet here is commenting that the war is an awful, miserable, continuous cycle 
  • This monotony is reinforced by the repetition of the refrain “But nothing happens.”
  • The irony is that dawn is normally symbolic of a fresh start and happiness, but here it represents nothing but continued misery
  • Again, Owen uses the personification of dawn as a military leader to emphasise once more that the battle the soldiers are engaged in is more than just the physical war they are involved in
  • War is everything
• Lines 16-20

  “Sudden successive flights of bullets streak the silence.

  Less deadly than the air that shudders black with snow,

  With sidelong flowing flakes that flock, pause, and renew,

  We watch them wandering up and down the wind’s nonchalance,

  But nothing happens.”

  Translation

  • Suddenly, the silence is broken by a barrage of gunfire
  • However, the speaker believes that even these bullets are not as dangerous as the snow that is falling and the freezing temperatures
  • The speaker gives the impression that the snowflakes are whirling around them
  • The soldiers watch the snowstorm, and still nothing happens in terms of the war itself
• Owen’s intention

  • Owen’s use of sibilance at the start of this stanza reflects the sudden break in the monotonous silence
  • And yet, the poet is suggesting that the weather conditions still pose a greater threat to the soldiers than bullets themselves
  • He positions nature as the greatest enemy of men
  • Even the snowflakes seem to be consciously deciding who to attack and where they will fall
  • The poet suggests that the wind is apathetic (“nonchalance”) in the face of untold suffering and hardship
  • But even this short break in the silence does little to alleviate the continuous misery
  • The soldiers feel as though nothing new has happened
• Lines 21-25

  “Pale flakes with fingering stealth come feeling for our faces – 

  We cringe in holes, back on forgotten dreams, and stare, snow-dazed,

  Deep into grassier ditches. So we drowse, sun-dozed,

  Littered with blossoms trickling where the blackbird fusses.

  – Is it that we are dying?”

  Translation

  • The narrator describes the snowflakes as though they are assassins that are stalking the soldiers
  • Terrified, the soldiers huddle in the trenches for protection, while imagining they are lying in the warm sun, surrounded by flowers and blackbirds
  • They are trying to hold onto what little hope is left in their hearts
  • The narrator questions whether they are actually dying, perhaps of exposure
• Owen’s intention

  • The poet deliberately describes the snowflakes as having “fingering stealth”, personifying them as malicious and cunning
  • The use of the word “cringe” suggests the men are now cowering from the weather
  • The happy images the soldiers imagine is designed to juxtapose with the reality they are suffering through
  • In the final line, the poet attempts to answer the rhetorical question at the end of stanza two
• Lines 26-30

  “Slowly our ghosts drag home: glimpsing the sunk fires, glozed

  With crusted dark-red jewels; crickets jingle there;

  For hours the innocent mice rejoice: the house is theirs;

  Shutters and doors, all closed: on us the doors are closed, – 

  We turn back to our dying.”

  Translation

  • After a while, the soldiers begin to imagine that their spirits have gone home
  • The narrator speaks of their longing for home, but the image is one of the fire having burned out, with only glowing embers remaining
  • The house is so empty that only the crickets and mice are left to enjoy it
  • Going home is something that is now closed to them and there is no hope of going back there
  • So the soldiers close their hearts and turn back to their depressing reality
• Owen’s intention

  • The poet suggests that the soldiers are so exhausted it is even a effort for them to think of anywhere other than their ghastly present environment
  • The reference to the soldier’s “ghosts” could imply that the men are already dead
  • The fact that “on us the doors are closed” implies that peace is now out of their reach
  • What they are dreaming of is now inaccessible to them
• Lines 31-35

  “Since we believe not otherwise can kind fires burn; 

  Now ever suns smile true on child, or field, or fruit.

  For God’s invincible spring our love is made afraid;

  Therefore, not loath, we like out here; therefore were born,

  For love of God seems dying.”

  Translation

  • The speaker suggests that the soldiers no longer believe that there are any warm fires left for them, even though the sun still shines brightly on children and nature
  • They have lost faith in God’s promise of happier, warmer times to come
  • The soldiers are not resentful; they are resigned to their fate, as God seems to have abandoned them
• Owen’s intention

  • The feeling of hopelessness and inevitability continues in this stanza
  • The bleakness is such that even the fact that a warm spring will follow a winter still makes them afraid, as they will probably not be alive to see it
  • Owen suggests that the soldiers may believe they were born to die in this situation, in order to allow those at home to live
  • There is the suggestion of the speaker questioning his faith, as a result of what he has witnessed and is experiencing
  • As his faith dies, so his heart or “love” grows more afraid
• Lines 36-40

  “Tonight, His frost will fasten on this mud and us,

  Shrivelling many hands, puckering foreheads crisp.

  The burying-party, picks and shovels in their shaking grasp,

  Pause over half-known faces. All their eyes are ice,

  But nothing happens.”

  Translation

  • The despair of the poem reaches a climax in this final stanza, as the speaker reveals that the temperature that night will be so cold that it will freeze the ground and the soldiers
  • Other soldiers have to bury those who freeze to death, their hands shaking from fear and cold
  • They look briefly at the faces of soldiers they vaguely recognise
  • Their eyes have frozen solid
  • The final “But nothing happens” tells us the speaker feels that this is the way life is, and it cannot be changed. The only way out is death
• Owen’s intention

  • This final stanza is where action, should it happen, must happen. However, nothing does
  • The soldiers succumb to nature, freezing to death alone
  • The frost is personified as fastening the soldiers to the ground
  • Owen also uses the metaphor of “All their eyes are ice”, meaning that they are physically frozen, but also numb to the horrors
  • The last line shows ultimate futility of war, and that the war will go on and on
  • The terrible irony of this is that something did happen eventually, with the armistice, but it was too late for Owen, who died just a week beforehand
• Form

  This poem does not fit into any traditional form. It has eight stanzas of five lines. The first four lines of each stanza share similar rhyme sounds and describe the horrors the men are enduring. The fifth line in each stanza then either repeats the poem’s refrain or makes some reference to death. Because each stanza is structured in the same way, it emphasises the theme of the monotony and futility of war. The fifth line in each stanza adding on a little more than what would normally be expected could be seen as representative of the war dragging on and on.
• Form : exposure

  
• Form : exposure

  
• Structure: : exposure

  Exposure is structured into a single day, from dawn to night, encompassing a whole day in which nothing happens, except the men daydreaming and trying to come to terms with the futility of the situation they find themselves in, and the pointlessness of their own existence.

  
• Language: exposure

  Wilfred Owen uses several language techniques to position nature as the main enemy of the soldiers, demonstrating the key theme of the power of nature to be just as dangerous as any human enemy.

  
• Language: exposure

  
• Context: The Reality of War 

  • The poem was written in 1917 whilst Owen was fighting in the trenches in World War I
  • In Britain at the time, war was romanticised and seen as glorious and noble
  • This was reflected in much of the war poetry at the time, which focused on the honour of fighting
  • Owen dispelled this myth by exposing the horrific reality of war
  • His graphic scenes combined with description of honest emotions
  • In addition, World War I is known not only for its immense number of casualties, but also for its psychological effects on those who survived
  • The term “shell-shock” emerged from this war, referring to soldiers suffering from what would now be termed PTSD
  • Owen himself was hospitalised for this
• • Owen wrote many of his poems to convey the horrors of war to civilians who had no way of visualising what war was really like
  • He suggests that war can kill a man in a psychological, if not in a physical way
  • The line, “Slowly our ghosts drag home” demonstrates this
• The Power of Nature

  • The majority of the fighting during WWI took place in Europe, where the soldiers faced extremities in temperature and weather over the years (1914-1918)
  • The use of trench warfare in WWI significantly influenced the high death toll
  • Life in the trenches was awful, with diseases rife
  • Rain would quickly accumulate in the trenches, whilst in the winter soldiers would be battered by snow, hail and sub-zero temperatures
  • The winter of 1916-1917 was so cold that many soldiers lost fingers and toes to frostbite
  • The trenches offered little to no protection
  • The soldiers were left exposed to the elements
• • During his time fighting in France, Owen experienced record-breaking cold and snow, as well as the constant fear and trauma of the war itself
  • In one incident, in April 1917, Owen and his men remained in an open field in the snow for 4 days and nights, with no support forces arriving to relieve them
  • They had no chance to change wet, frozen clothes or to sleep
  • This was just one incident of Owen and his men having to endure many days and nights out in the open, sheltering in shell holes
  • Owen makes references to God having abandoned them and nature turning against them
  • He thinks the cosmos seems either cruelly indifferent or else malignant
  • It seems that a loving, Christian God is non-existent
• • The narrator in the poem is overwhelmed by nature’s hostility and unpredictability
  • The soldiers even lose hope that spring will arrive
  • The poet suggests that war can lead to a loss of faith in God
  • In the poem, God is responsible for the suffering caused by nature. For example, in the line, “Tonight, His frost will fasten on this mud and us”
• Given that Exposure focuses mainly on the reality of war, and the power of nature, the following comparisons would be a good place to start:

  • Exposure and The Charge of the Light Brigade
  • Exposure and Storm on the Island
• Exposure and The Charge of the Light Brigade

  Comparison in a nutshell:

  This comparison provides the opportunity to compare how different poets present the experience of war. Although the experiences of war are presented differently, both ultimately underline the needlessness of war and that the experiences of the soldiers are to be taken seriously.

  Similarities:

  
• Exposure and The Charge of the Light Brigade

  
• Exposure and The Charge of the Light Brigade. Differences:

  
• Exposure and The Charge of the Light Brigade. Differences:

  
• Exposure and Storm on the Island

  Comparison in a nutshell:

  This comparison provides the opportunity to discuss how different poets present the overwhelming power of nature as something to be feared, in order to convey their underlying messages.

  Similarities:

  
• Exposure and Storm on the Island

  
• Exposure and Storm on the Island. Differences:

  
• Exposure and Storm on the Island. Differences: