ArtAp

• Line. It is an element of art defined as the path of a point moving through space.
• Line. It may be continuous or broken, and can be any width or texture.
• Horizontal Line. Are line of repose and serenity.
• Horizontal Line. They express ideas of calmness.
• Horizontal Line. Found in reclining persons, in landscapes, calm bodies of water, and in the distant meeting of the earth and sky in what is commonly called the horizon.
• Vertical Line. Are lines that denote action.
• Vertical Line. Suggest poise, balance, force, aspiration, exaltation, and dynamism.
• Vertical Line. Seen in a man standing straight, a tall tree, and in statues of saints, and heroes give an impression of dignity.
• Diagonal Line. Suggest action, life, and movement.
• Diagonal Line. Give animation to any composition in which then appear.
• Diagonal Line. The degree of action is shown by the angle the diagonal make in relation to the ground.
• Curved Line. It suggest grace, subtleness, direction, instability movement, flexibility, joyousness, and grace.
• Curved Line. They are never harsh or stem since they are formed by gradual change in direction, they tend to impart these qualities to any work where they are used.
• Crooked/Jagged Line. It expresses energy, violence, conflict, and struggle.
• Color. Is the visual property of the pigment of an object that is detected by the eye and produced as a result of the way object reflects or emits light.
• Hue. It is the name of the color.
• Value. Is a color's lightness or darkness, which is altered when black or white is added.
• Intensity. Refers to the intensity of a color, often measured by boldness or dullness.
• Shapes. These are the areas of enclosed space that are two-dimensional.
• Shapes. Are flat, and can only have height and width.
• Geometric Shapes. Are mathematical, like circles and squares.
• Organic Shapes. Come from nature, like clouds and leaves.
• Organic Shapes. Free formed shapes.
• Space. Deals with the illusion of depth on a flat surface.
• Value. Refers to the lightness and darkness of areas in an art work.
• Texture. Refers to the way things feel, or look as if they might feel if touched.
• Actual Texture. Is primarily through not exclusively-sculptural.
• Implied/Stimulated Texture. Is primarily used in two-dimensional works of art.
• Symmetry. Refers to both side being the same, or "mirroring" one another.
• Asymmetry. Refers to both sides having different subject matter or objects, but there is a balanced effect, nonetheless.
• Radial Symmetry. The visual elements are "equally" placed around a centralized "point" in the composition.