'In Infant Sorrow there is a perpetual cycle of conflict between the old and the young'
DW. Harding
'He explored the relationships between the perfect possibilities he felt in human life and the confusions and imperfections in actual experience'
B. Ifor Evans
'One poet rose against all the pressures of the material world with a divine frenzy of vision and prophecy'
B. Ifor Evans
'Wisdom speaks with the voice of a child'
J. Bronowski
'Blake's poetry speaks from one age to another because it is founded in experiences which are simple, common and profound'
Raymond Williams
'Part of a group of poets who see themselves as agents of the revolution of life'
Legouis and Cazamician
'Blake upsets all settled criteria and faiths, whether it be the orthodox religion of Christ or the traditional notion of good and evil'
Peter Ackroyd
'Sarcastic skepticism must never be discounted in even the most apparently serious or lyrical of Blake's poetry'
Peter Ackroyd
'His visions were irradiate by contraries ad opposition: love and hate, expansion and contradiction'
DW. Harding
'Symbolic implications scarcely susceptible of reasoned explanation'
DW. Harding
'For Blake, the constraints exercised by the old contributed to the creation of an abstract moral code'
DW. Harding
'Fundamental concern for human life'
Blake
'Man has the essence of God and all the wisdom and power of the world within himself'
Blake
'Un-organised innocence is an impossibility'
O'fill
Blake 'leaves us in the air'
Rousseau
'man was born free and everywhere else he is in chains'
Blake
Suggests the poems of Songs of Innocence and Experience illustrate the 'two contrary states of the human soul'
Northrop Frye
'|The songs of experience are satires, but one of the things they satirise is the state of innocence, conversely, the songs of innocence satirise the state of experience'
Raymond Williams
Blake 'criticised his materialistic society for blunting imagination'
David Punt
'London' is 'the most concisely violentassault on 'establishment thinking' that English poetry has produced'
Blake
'I must create my own systems or be enslaved by another man's'
Timothy Vines
'Blake's poems can be analysed as a response to a collapse in human innocence'
H.G Hewlett
'imperfect genius'
Margret Bottrall
'isolated dreamer'
M.H Abrams
'Pheonix among poets'
Northrop Frye
Within Experience, 'contempt and horror have never been more clearly spoken in English poetry'
Caroline Bowles
'Mad though he might be, he was gifted'
James Thomson
'Blake was always poor in world's wealth, always rich in spiritual wealth'
Gilchrist
"divine child" "whose playthings were the sun, moon, the stars, the heavens and the earth"
Blake
"without contraries is no progression... all are necessary to human existence"
Bronowski
"To Blake, all virtue is human virtue"
Ackroyd
"Aware of the possible deficiencies of innocence itself"
Legouis and Cazamian
"The songs show the impassioned feelings of a child's soul"
Marsh
"Repeated emphasis on natural impulses, honesty and freedom in love."
Marsh
"Poison and destruction are bred by hidden feelings and dishonest behaviour."
Marsh
"Charity only lessens symptoms, it does not cure the disease."