Literary theory is the body of ideas and methods used in the practical reading of literature
Literary theory reveals what literature can mean, not the meaning of a work of literature itself
It describes the underlying principles and tools by which we attempt to understand literature
All literary interpretation draws on a basis in theory but can justify different kinds of critical activity
Literary theory formulates the relationship between author and works
Literary theory develops the significance of race, class, and gender for literary study
Literary theory offers varying approaches for understanding historical context, linguistic, and unconscious elements of the text
Literary theorists trace the history and evolution of different genres and investigate the importance of formal elements of literary structure
Literary theory explains how texts are more the product of a culture than an individual author and how those texts help create the culture
The prime purpose of any good literary theory is to help readers and writers look at reading and writing from a new perspective
Literary theories are lenses through which we can see texts
Literary theories give a certain way of looking at a text and allow critics to focus on particular aspects of a work
Literary theories are not a substitute for reading the original sources but are creative interpretations that enhance our appreciation of literature
Literary theories give more prestige and importance to literature
The purpose of a literary theory is to provide a specific way of looking at a text and enrich the reading experience by applying multiple lenses
Types of LiteraryTheories
Formalism emphasizes literary form and the study of literary devices within the text
Formalism sought to place the study of literature on a scientific basis through objective analysis of literary motifs, devices, and techniques
The literariness of texts was of great importance to the Formalists, distinguishing literary from other kinds of writing
New Criticism stressed close reading of the text as an aesthetic object independent of historical context
New Criticism aimed at bringing greater intellectual rigor to literary studies by focusing on formal structures like paradox, ambiguity, irony, and metaphor
Marxist literary theories focus on class conflict representation and the reinforcement of class distinctions through literature
Marxist theorists use traditional literary analysis techniques but prioritize the social and political meanings of literature
Marxist analyses have influenced literary theory and criticism, leading to the development of New Historicism and Cultural Materialism
Georg Lukacs contributed to understanding the relationship between historical materialism and literary form
Walter Benjamin studied aesthetics and the reproduction of the work of art in relation to Marxism
The Frankfurt School philosophers played a key role in introducing Marxist ideas to the United States
The Frankfurt School of philosophers, including Max Horkheimer, Theodor Adorno, and Herbert Marcuse, played a key role in introducing Marxist assessments of culture into American academic life
They became associated with "Critical theory," which critiqued the instrumental use of reason in advanced capitalist culture
Critical theory distinguished between the high cultural heritage of Europe and the mass culture produced by capitalist societies as a tool of domination
Major Marxist influences on literary theory since the Frankfurt School include Raymond Williams and Terry Eagleton in Great Britain, and Frank Lentricchia and Fredric Jameson in the United States
Williams is associated with the New Left political movement in Great Britain and the development of "Cultural Materialism" and the Cultural Studies Movement
Eagleton is known as a Marxist theorist and popularizer of theory through his widely read overview, "Literary Theory"
Lentricchia became influential through his account of trends in theory, "After the New Criticism"
Jameson is known for his impact on Marxist theories of culture and as a leading figure in theoretical postmodernism
Jameson's work on consumer culture, architecture, film, literature, and other areas typifies the collapse of disciplinary boundaries in Marxist and postmodern cultural theory
Structuralism and Poststructuralism were movements that focused on literary form and the study of signs and language
Structuralism relied on the ideas of Swiss linguist Ferdinand de Saussure, emphasizing the arbitrary nature of signifiers and the system of differences between units of language
Key figures in Structuralism included Claude Levi-Strauss, Tzvetan Todorov, A.J. Greimas, Gerard Genette, and Barthes
Poststructuralism, led by Jacques Derrida, questioned the coherence of discourse and the capacity for language to communicate fixed meanings