History of Philippine Art

Cards (40)

  • Stylistic Terms art is also known as "indigenous" while in cultural terms it is "pre-colonial"
  • Art before colonization consisted of everyday expressions integrated within rituals
  • Earliest forms of theater and rituals in the Philippines include:
    • Mayvanuvanua in Batanes, a ritual that opens the fishing season of dibang (flying fish)
    • Cañao or Kanyaw in the Cordillera Administrative Region, officiated by a shaman or mumbaki involving animal sacrifice and divination
    • Kashawing in Lake Lanao of Mindanao, a ritual to ensure abundance during rice planting and harvesting
    • Tagbanwa in Palawan, where shamans go into a trance amidst ritual chanting and dancing, believed to be taken over by goddesses
  • Ethnic Musical Instruments:
    • Kudyapi, a three-stringed guitar
    • Kulintang, an array of bossed gongs
    • Gansa, a flat gong
    • Agong, a large bossed gong
    • Tinikling of Tagalog, evocative of crane movements balancing on stilt-like legs or escaping bamboo traps
  • Native dance forms in the Philippines include:
    • Pangalay in Sulu, a mimetic dance of seabirds
    • Kinabua of Mandaya, performing swooping movements imitating eagles
    • Banog-banog of the Higaonon and B'laan, a courtship dance portraying the flight of birds
    • Man manok of the Bago Tribe, a dance dramatizing roosters competing for the attention of a hen (lady lien)
    • Talip of Ifugaos, a courtship dance mimetic of wild fowls
    • Inamong of Matigsalugs and Kadalilwas (T'boli), representing comedic movements of monkeys
  • Carving in Philippine art includes:
    • Bulul in Cordillera, a granary god that plays an important role in rituals, with an anthropomorphic bulul appearing in containers, bowls, and spoons
    • Hagabi in Ifugao, a wooden bench marking socio-economic status
  • Hagabi (Ifugao):
    • Wooden bench that marks the socio-economic status of the owner
  • Christianized communities in Paete Laguna and Betis Pampanga are known for carving santos
  • In the Southern Philippines, curvilinear decorations called the okir are employed in woodcarving
  • Sarimanok:
    • Stylized design of a bird holding a fish in its beak and/or standing on a base in the shape of a fish
  • Naga:
    • Form of an elaborate mythical serpent or dragon with a vigorous S-curve and numerous curvilinear motifs to suggest its scales
  • Pako rabong:
    • Stylized growing fern with a broad base gracefully tapering upwards
  • The sarimanok and naga are found in the panolong, the extended floor beam, and the interior beams and posts of the large sultan’s house called torogan
  • Manunggul Jar:
    • Excavated in Manunggul Cave Lipunan Point Palawan
    • Dated to the late Neolithic Period (890 -710)
    • Has two anthropomorphic or human forms atop the lid
  • During the Metal Age (5 BC-225 AD), another type of anthropomorphic jars was produced with the human figure more pronounced, with the lid as the head and the base as the body
  • Pottery in later years became associated with daily use objects like the palayok (clay pot) for cooking, and the banga and tapayan (clay pot) for storing liquids
  • Textile weaving has a long history, with Philippine ethnolinguistic groups having a rich tradition
  • Textiles are not only functional but also impart knowledge about people's belief systems and the society's sociopolitical structure
  • Woven Textiles:
    • Pissyabit:
    • A headpiece woven by Tausug of Sulu
    • Malong:
    • Exquisite tapestry panels called langkit woven by the Maranao of Lanao Del Sur
  • Weaving:
    • Tepo Mat:
    • A colorful double-layered mat of Sama of Tawi-Tawi made of pandan leaves
    • Ovaloid Baskets:
    • Made of nito and bamboo, used as a head sling to carry harvest
    • Bubo:
    • Fish traps made of sturdy bamboo strips in the Ilocos region
  • Tattoos:
    • Visayas “Islas de los Pintados”
    • Shared by Southeast Asia and New Zealand and other ethnolinguistic groups
  • Ethnolinguistic groups that practice tattooing are Kalinga, Kankanay, Ibaloy, and Ifugao
  • The T'boli are known for wearing brass chains, bells, and colorful beads
  • Betel nut boxes of various shapes were used
  • Functional containers had textured designs of rhombuses, spirals, circles, and tendrils on their exteriors
  • Brass Kendi and Gadur were used in ceremonies and cherished as status symbols or heirloom pieces
  • Islam was culturally dominant in Southern Philippines since the 13th century
  • Islam gained significant grounding in Sulu as early as the 13th century
  • The interior of mosques is covered with elaborate patterning in the form of reliefs
  • Abstract forms and patterns are common in Islamic art
  • Parts of the Mosque like the mihrab or niche and the Qibla wall are oriented towards the west
  • Bulbous Dome expresses all levels of cosmic existence, with the octagonal base symbolizing the spirit and the four-sided main base referring to the earth or material world
  • The courtyard or Ka'bah, a black shrine, is believed to be built by Prophet Muhammad himself
  • The area of water supply in mosques serves as the function of ablution or cleansing
  • Gardens within the Mosque compound or outside homes are common in Islamic architecture
  • Islamic forms are inclined to project, grow, or have an upward orientation
  • Panolong is an elaborately carved protusion akin to a wing attached to the torogan
  • Luhul or canopy takes inspiration from the tree of life
  • Burraq, a horse with the head of a woman, is also an important figure