Stylistic Terms art is also known as "indigenous" while in cultural terms it is "pre-colonial"
Art before colonization consisted of everyday expressions integrated within rituals
Earliest forms of theater and rituals in the Philippines include:
Mayvanuvanua in Batanes, a ritual that opens the fishing season of dibang (flying fish)
Cañao or Kanyaw in the Cordillera Administrative Region, officiated by a shaman or mumbaki involving animal sacrifice and divination
Kashawing in Lake Lanao of Mindanao, a ritual to ensure abundance during rice planting and harvesting
Tagbanwa in Palawan, where shamans go into a trance amidst ritual chanting and dancing, believed to be taken over by goddesses
Ethnic Musical Instruments:
Kudyapi, a three-stringed guitar
Kulintang, an array of bossed gongs
Gansa, a flat gong
Agong, a large bossed gong
Tinikling of Tagalog, evocative of crane movements balancing on stilt-like legs or escapingbambootraps
Native dance forms in the Philippines include:
Pangalay in Sulu, a mimetic dance of seabirds
Kinabua of Mandaya, performing swooping movements imitating eagles
Banog-banog of the Higaonon and B'laan, a courtship dance portraying the flight of birds
Man manok of the Bago Tribe, a dance dramatizing roosters competing for the attention of a hen (lady lien)
Talip of Ifugaos, a courtship dance mimetic of wild fowls
Inamong of Matigsalugs and Kadalilwas (T'boli), representing comedic movements of monkeys
Carving in Philippine art includes:
Bulul in Cordillera, a granary god that plays an important role in rituals, with an anthropomorphic bulul appearing in containers, bowls, and spoons
Hagabi in Ifugao, a wooden bench marking socio-economic status
Hagabi (Ifugao):
Wooden bench that marks the socio-economic status of the owner
Christianized communities in Paete Laguna and Betis Pampanga are known for carving santos
In the Southern Philippines, curvilinear decorations called the okir are employed in woodcarving
Sarimanok:
Stylized design of a bird holding a fish in its beak and/or standing on a base in the shape of a fish
Naga:
Form of an elaborate mythical serpent or dragon with a vigorous S-curve and numerous curvilinear motifs to suggest its scales
Pako rabong:
Stylized growing fern with a broad base gracefully tapering upwards
The sarimanok and naga are found in the panolong, the extendedfloorbeam, and the interior beams and posts of the large sultan’s house called torogan
Manunggul Jar:
Excavated in Manunggul Cave Lipunan Point Palawan
Dated to the late Neolithic Period (890 -710)
Has two anthropomorphic or human forms atop the lid
During the Metal Age (5 BC-225 AD), another type of anthropomorphic jars was produced with the human figure more pronounced, with the lid as the head and the base as the body
Pottery in later years became associated with daily use objects like the palayok (clay pot) for cooking, and the banga and tapayan (clay pot) for storing liquids
Textile weaving has a long history, with Philippine ethnolinguistic groups having a rich tradition
Textiles are not only functional but also impart knowledge about people's belief systems and the society's sociopolitical structure
Woven Textiles:
Pissyabit:
A headpiece woven by Tausug of Sulu
Malong:
Exquisite tapestry panels called langkit woven by the Maranao of Lanao Del Sur
Weaving:
Tepo Mat:
A colorful double-layered mat of Sama of Tawi-Tawi made of pandan leaves
Ovaloid Baskets:
Made of nito and bamboo, used as a head sling to carry harvest
Bubo:
Fish traps made of sturdy bamboo strips in the Ilocos region
Tattoos:
Visayas “Islas de los Pintados”
Shared by Southeast Asia and New Zealand and other ethnolinguistic groups
Ethnolinguistic groups that practice tattooing are Kalinga, Kankanay, Ibaloy, and Ifugao
The T'boli are known for wearing brass chains, bells, and colorful beads
Betel nut boxes of various shapes were used
Functional containers had textured designs of rhombuses, spirals, circles, and tendrils on their exteriors
Brass Kendi and Gadur were used in ceremonies and cherished as status symbols or heirloom pieces
Islam was culturally dominant in Southern Philippines since the 13th century
Islam gained significant grounding in Sulu as early as the 13th century
The interior of mosques is covered with elaborate patterning in the form of reliefs
Abstract forms and patterns are common in Islamic art
Parts of the Mosque like the mihrab or niche and the Qibla wall are oriented towards the west
Bulbous Dome expresses all levels of cosmic existence, with the octagonal base symbolizing the spirit and the four-sided main base referring to the earth or material world
The courtyard or Ka'bah, a black shrine, is believed to be built by Prophet Muhammad himself
The area of water supply in mosques serves as the function of ablution or cleansing
Gardens within the Mosque compound or outside homes are common in Islamic architecture
Islamic forms are inclined to project, grow, or have an upward orientation
Panolong is an elaborately carved protusion akin to a wing attached to the torogan
Luhul or canopy takes inspiration from the tree of life
Burraq, a horse with the head of a woman, is also an important figure