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Emancipation of expression
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Sophie John
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Cards (32)
The main stimulus was
the music
Kendrick Sandy wanted to show…?
expression through dance
Section 1
is
the start
section
2
is
about
growth
and
struggle
section
3
is
about
connection
section
4
is
about
superhuman powers
Kendrick
explored and manipulated
hip hop
and
street
styles
Kenrick
wanted more dancers to
have a
bigger ensable
lighting for the 1st section was
spotlights
lighting for the
2nd
section was
about
mood
lighting for the
3rd
section was
we about
tranquility
Kenrick
wanted young dancers to
be
inspired
moves were:
arms were:
fitted
to show
shape
free to
move
and
flow
Kenrick
wanted to push the art form to
a level were the
audience
will
appreciate
it
name some signature moves
ninja walk, ninja slide, ninja static, chariot of fire
what is the dance company called
boy blue entertainment
who was the composer
michael asante
what was the date of the performance
may
2013
name some of the dance styles Kenrick used
hip hop, popping, locking, animation, breaking, waacking techniques
who wrote the music
olafur arnalds
what was the piece of music called
till enda
what was the duration of the dance
11 minutes
how many dancers were there
17
dancers
8
male
9
female
often individual dancers will
split
from the ensemble to show the
difference
between
order
and
chaos
describe the first section
Genesis
the
dancers
explore the ideas of
struggling
to be
free
describe the second section
Growth and Struggle
starts with
an
agressive looking solo and
ends in a
rugby-scrum like formation
describe the third section
The Connection and Flow between people
starts as
a
duet then full ensemble energy flows through dancers
describe the fourth section
Empowerment
the
energy
turns into
superhuman power
builds crescendo
ends
with
dancers huddled together
describe the music in the piece
a
fusion piece
that
incorporates
urban
percussive elements
and
classical string instruments
describe the costumes
casual
,
enhances
the
dancers shape
short sleeved pastel blue shirts
denim jeans
and
grey trainers
allowed jewellery
describe the stage
proscenium arch
stage
theatrical fog
used to
create texture
who was the choreographer
Kenrick H2O Sandy
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