History chapter 9

Cards (63)

  • In the 19th century, Rajasthan was called Rajputana by the British
  • The Chera empire of Mahodayapuram, established in the 9th century in the southwestern part of Kerala, introduced the Malayalam language
  • Evolution of Kathak
    1. Kathak evolved in Northern India
  • People migrated from less fertile western Bengal to the forested and marshy areas of south-eastern Bengal in the 16th century
  • The Chera Kingdom of Mahodayapuram introduced the Malayalam language and script in their inscriptions
  • Prithviraj Chauhan was a Rajput ruler
  • Jagannath
    • Literally means the lord of the world, a name for Vishnu
  • Kathak dance form evolved from the Kathaks, a caste of story-tellers in temples of North India
  • Rajput rulers cherished the ideal of the hero who fought valiantly
  • Groups who call themselves Rajputs
    • Many groups in Northern and Central India
  • Regional cultures developed around religious traditions
    • Local people made a wooden image of the deity which came to be identified with Vishnu
    • Temple became the centre of pilgrimage
  • Music developed into various forms like qawwali and khayal, and new instruments like Sitar were invented
  • The temple theatre of Kerala borrowed stories from the Sanskrit epics
  • Women were given a heroic image for committing sati or self-immolation
  • Regional cultures today are often the product of complex processes of intermixing of local traditions with ideas from other parts of the subcontinent
  • Distinct aspects of regional cultures
    • Food
    • Clothing
    • Poetry
    • Dance
    • Painting
    • Music
  • Rajputs contributed to the distinctive culture of Rajasthan
  • Bengali language originated from Sanskrit but later developed its own identity and literature
  • Women in Rajput stories are depicted as following their heroic husbands in both life and death
  • Kathak began evolving into a distinct mode of dance in the 15th century
  • Kathak began evolving into a distinct mode of dance in the 15th and 16th centuries
  • The cult of pir became popular in Bengal
  • Kathak
    A dance form derived from the term Katha, meaning a story in Sanskrit and other languages
  • Kangra painting is characterized by soft colours, including cool blues and greens, and lyrical treatment of themes
  • Kathak was recognised as one of six classical forms of dance in the country after independence
  • Miniatures are small-sized paintings, generally done in watercolour on cloth or paper
  • Early Bengali literature includes translations of Sanskrit epics, Bhakti literature, Nath literature, and folk tales
  • Rasa Lila refers to the legends of Radha-Krishna enacted in folk plays
  • Bengali literature contains several references to fish
  • With the decline of the Mughal Empire, many painters moved out to the courts of the emerging regional states
  • Rajputana was the region that constituted most of present-day Rajasthan during the 19th century
  • Classical means old and memorable with permanent value
  • Per is a Persian word that means a spiritual guide
  • In the 14th Century, Lilatilakam, a text combining Sanskrit and regional languages, was published
  • In 1739 AD, Nadar Shah invaded and conquered Delhi
  • In 1230 AD, King Anangabhima III dedicated his kingdom to the deity and proclaimed himself as the 'deputy' of the God
  • The Kathaks were originally a caste of story-tellers in temples of north India, who beautified their performances with gestures and songs
  • Lilatilakam is a fourteenth-century text of Sanskrit that deals with grammar and poetics
  • Classical dances in India
    • Bharatnatyam (Tamil Nadu), Kathakali (Kerala), Odissi (Orissa), Kuchipudi (Andhra Pradesh), Manipuri (Manipur), Kathak
  • Basohli refers to a bold and intense style of miniature painting developed in the Himalayan foothills around Himachal Pradesh