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Riya Kaur Ghag
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Cards (30)
theatron
the seating place
orchestra
the dancing place
skene
backdrop
paradoi
passageway
ekkykleme
body trolley
mechane
crane
deus ex machina
god
on
crane
prohedrion
front row
scholion
commentators
comment
in a
manuscript
polis
city-state
eponymous archōn
responsible for the
city
dionysia
chorēgos
financial
supporter for
plays
proagōn
introduction
event for
festival
pompē
grand religious procession
tribes
10
compulsory
political
divisions in
athens
kōmos
relaxed festival
involving
singing
and dancing in streets
liturgy
tax on the
super rich
to fund athens' events
dithyramb
choral dance to honour
dionysus
deme
village or
district
in
attica
theoric
fund
state helping poor attend city
dionysia
agon
confrontation
between protagonist and
antagonist
in drama
anagnorisis
realisation of wrongdoings when it is too
late
catharsis
releasing
repressed
emotions (cleansing or purification)
climax
height
of action
dramatic
irony
the audience knowing something a character does not
empathy
shared
emotions
with another
hamartia
fatal flaw
pathos
ability to evoke
sadness
or
pity
peripeteia
beginning
of
downfall
sitchomythia
alternating one-line
dialogue