cover lines of ’wonderful childrens raincoats’ and ‘language of flowers’ are familiar to stereotyped women interests
the woman in the cover is modest, fashionable, innocent and unsexualised
the cover has muted tones, displaying it as normal and not luxurious
front cover
dominant central image, with masthead at the top of the page - typical to industry
front cover
the masthead has a serif font that is traditiona
front cover
woman’s REALM. which reflects the private sphere of the home -> and how important it should be
front cover
realm being a larger font that woman may connnote how the domesticity of a woman is the priority, not the women herself
cover lines of the front cover
traditional women interests
home making
children
romance
front covers main image
direct mode of address - she is smiling and her hand is partially covering her mouth which can connote modesty. her high collar, gloves and hat limit her sexualisation
mis en scene
brown and beige colour pallete. it is muted and made to feel relatable not luxurious
front cover
the positioning of the women allows the lighting to highlight her face. she has some makeup on, but enough to show her as natural
use of hyperboles
‘wonderful‘‘exciting’
appeals to the audience and shows homemakimg as a thing to be enjoyed
sunsational sultanas
visual codes - bright colours connoting excitement and summer
sunsational sultanas
juxtaposition of the women surfing a challenging wave, whilst also perfectly holding a plate of food. this can show woman as powerful in the way she can multitask
