Movement 2

• Articulation


  The way notes are connected or separated
• Dynamics


  The volume or loudness of the music
• Instrumentation


  The instruments used to perform the music
• Staccato


  • Short, detached notes
• The dynamics in the opening section are p >> fz (wide range)
• The main instrumentation of the opening section is Strings
• The bar number of the staccato passage in violin 1 is 73
• In bars 75-76 there is a SF to P


  Haydn did this to accent the interval and the highest note
• The bar number of the tutti FF is 87-89
• The bar number of the pause is 89. Its purpose: Drama.
• The first crescendo and diminuendo in the piece is in bar 109
• The instruments that have a solo in the codetta are flute, oboe, and bassoon
• Common fanfare figure in the codetta at bars 149-150
• The instrument that holds the melody in the opening is the 1st violin.
• The instruments that have figure X between bars 60-64 are 1st violin, 2nd violin and the oboe
• Texture


  The layering and interaction of different musical elements
• The texture in the strings at the beginning of the movement is homophonic.
• The textural style from bar 10 is described as light + imitation.
• The technique being used in bar 21 in the bassoon is sequence (rising)
• The rhythmic technique used in bar 44 is syncopation in the woodwind section
• The texture at bar 71 is monophonic
• The texture at bar 76 is homophonic (flute doubled by 1st violin)
• Dotted rhythm variation of the original theme in bar 83
• The texture at bar 88 is tutti (homophonic)
• The decorated rhythm at bar 102 is sextuplet arpeggio
• The texture at bar 131 is monophonic
• More sextuplets in bar 138
• The texture in the final bars is homophonic
• Harmony


  The chords and chord progressions used in the music
• Tonality


  The key or tonal center of the music
• The key the movement begins in is G major
• The cadence at bar 3-4 is imperfect
• The interval played between violin 1 and 2 at bar 10 is a parallel 3rd
• The tonicisation at bar 16 is D major
• The chord at bar 23 is Cm augmented
• The key at the codetta is G major
• The harmonic technique at bar 33 is tonic pedal
• The chord at bar 41 is described as diminished
• The key at bar 48 is B-flat major
• The key in the final section is G major