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PRACTICE EXAM #3
ARTAPP #3
27 cards
Cards (54)
Style
Determined by
history
(time and place), the
personality
of the artists, and the theory of art
Styles
Classical
Art
Modern
Art
Postmodern
Classicism
Idealist
imitation of the beauty and perfection of the human body
Sculptors:
Praxiteles
,
Polycritus
and Myron
Architecture: 3
Greek
Orders and 2
Roman
Orders
Medieval Art
Religious
subjects
Flat
projection
Art forms:
mosaic
,
stained glass
paintings, illuminated manuscripts, calligraphy
Patron: the
church
Renaissance Art
Revival of ancient
Greek
and
Roman
Art
Discovery and application of
perspective
Application of
chiaroscuro
and
sfumato
(Triangular Composition)
Religious
and
secular
subjects
Patrons
: The church and wealthy families
Mannerism
Stylized
representations with
elongated
figures
Religious
subjects
Painters:
El Greco
,
Dominikos Theotokopolus
Baroque
Highly
realistic
presentation
Application of deep
chiaroscuro
Dominance of
curve lines
to suggest motion
Painters
: Rembrandt van Rijn, Giorgione Castelfranco, Peter Paul Reubens, Jan Vermeer
Neoclassicism
Revival of
Renaissance
&
Classical
Style
Subject:
Ancient
Western society
Highly
Realistic
Representation
Technique:
Deep chiaroscuro
Painters: Jacques Louis David, Jean Auguste Ingres,
Juan Luna
,
Guillermo Tolentino
Impressionism
Beginning of Modern Art
Subjects from everyday ordinary life
Surface filled with
bursting
light of the
sun
Pale
colors and blur outlines indicate movement and
passage
of time
Expressionism
Art is an expression of the artist's
emotion
Unnatural
representation
Symbolic use of
color
Dominance of curve lines for
emotional
effect
Heavy
impasto
paints
Fauvism
Unnatural colors for exciting visual effect
Subjects from
unnatural
,
extra-ordinary
objects
Pointilism
Uses points or dots as the main visual element
Based on the
principle
of
visual mixing
Subjects from the everyday, ordinary experiences
Structurally formal
and
visually representational
Art Nouveau
Poster-like
paintings for advertisement
Subjects:
women
in sensual postures
Linear
composition and
flat
projection
Surrealism
Reaction to
rationalism
and
romanticism
Emphasizes
passion
and
imagination
, weird, fantastic and dream-like presented in highly realistic way
Cubism
Flat
projection
Uses
geometrical
shapes
Subjects in
multiview
to suggest motion
Concretism
Purely
non-objective
painting
Represents
subjectivity
not objects
Uses
rectilinear
shapes and
primary
colors
Suprematism
Purely non-objective
Represents pure subjectivity not objects
Reduction into most basic shapes and colors
Painting becomes true to itself, finally seen as what it is—a
painting
Dadaism
From
dada
, a
baby-talk
word
An "
anti-art
" movement
Purpose is to "
shock
"
Creates art by "
destroying
" art
Seeks to "
destroy
" established traditions and past histories to bring about new
social
order
Ready-made Art
Based on the
Institutional
Theory: Anything may be
art
Ordinary
objects are put in the context of art by the artist's authority and
power
play
Abstract Expressionism
Based on
Action
Theory of Painting
Purely
non-objective
Sense of
freedom
in the act of painting
Color Field Painting
Branch
of
Action
Painting
Mass
of colors on the
flat
surface
Pop Art
Art taken from images in popular culture such as
commercial labels
and mass products,
comics
and cartoons
Op
Art
(Optical Art)
Creates
optical illusion
The
illusion
itself becomes the
reality
in art
Installation Art
Postmodern
style in which exhibition space is transformed into work of art
Use of
limitless
range of materials arranged in place
Environmental Art or
Earthwork
Postmodern
style of art which uses
natural environment
as its medium
Based on
Institutional
Theory of Art
There is anything
more
to art
Some greater possibilities to art (present period)
Burp
Art/
Vomit
Painting
Tongue
/
Breast
/Penis Painting
Computer
Art/
Cyber
Art
Art in
virtual reality
Graffiti
/
Street
Art
MMDA
Art
See all 54 cards