TOA EXAM (Tange, Gaudi, & Gehry)

Cards (46)

  • Kenzo Tange was born in 1913 in Osaka and lived in Imabar
  • Kenzo graduated from University of Tokyo’s Department of Architecture
  • In 1942, he worked as an assistant professor University of Tokyo Graduate School.
  • He established Tange Laboratory
  • In Tange Laboratory, young associates such as Sachio Otani, Fumihiko Maki, Koji Kamiya, and Kisho Kurokawa exchanged fruitful ideas.
  • Teaching and actively exchanging ideas with people all over the world, Tange has instilled a vital force in Japan and abroad.
  • In 1949, he was selected as the winner of peace park & peace center hiroshima.
  • In the 1950's Tange, was strongly influenced by Le Corbusier as well as by the Renaissance Master, Michelangelo.
  • In 1958, He was also greatly influenced by traditional Japanese architecture, expressed in concrete in the Kagawa Prefectural Office.
  • In 1960's, the urbanist prevailed over the architect.
  • Development of idea of structuralism deepened interest in the spaces as it relates to humanity and its spiritual aspects.
  • The structure below is the Saint Mary’s Cathedral in Tokyo, Japan 1964
  • He designed the national gymnasium complex for use in 1964 Olympic Games.
  • At the beginning of the 1970's with a theme of "Human Progress and Harmony," Tange undertook the architectural design for EXPO '80 and the Festival Plaza,
    completed in late 1968.
  • This structure is the master plan for expo ‘70 in osaka, japan 1970
  • "Architecture always should be a reflection or expression of social structure... dynamic-- always advancing forward from the past to the future." ~ Kenzo Tange
  • "Architecture must have something that appeals to the human heart,"
  • "Creative work is expressed in our time as a union of technology and humanity."
  • Tange does not imagine himself as a leading form giver. He sees himself in state of transition....the most he does was to create a dynamic balance between inconsistencies to build a modern world.
  • Antonio Gaudi was born on year 1852 but died in 1926.
  • Antonio Gaudi is a catalan nationalist and a son of a coppersmith
  • Gaudi worked for Jose Fontsere and Juan Martorell
  • Monumental cascade in Parque de la Ciudedela by Fontseré and Gaudi, 1877-1882
  • Draft designs for Societat Obrera Mataronese by Gaudi, 1878
  • Finca Güell gatehouse and gate by Gaudi, 1884-1887
  • The facade of Palacio Güell.
  • Episcopal Palace at Astorga, by Gaudi in 1887-1893
  • Casa Figueras, or ”Tore Bellesguard”, 1900-1905
  • Casa Battló
  • Casa Milá
  • Colonia Guëll Chapel
  • Parque Güell
  • Sagrada Familia in Barcelona, design by Francisca de Paula Del Villar y Carmona [Lozano], 1882
  • THREE POINTS ABOUT GAUDI
    • nineteenth century approach
    • creativity
    • rational medievalism
  • GAUDI’S NINETEENTH CENTURY APPROACH?
    • stylistic eclecticism
    • bold use of colour and texture
    • nationalism
    • naturalism
  • Gaudi did NOT use structural iron, steel or reinforced concrete
  • Gaudi designed as medieval designers COULD have done if they had used angled struts, parabolic arches and warped
    surfaces
  • Frank Gehry was born in Toronto, Canada in 1929
  • At the age of 17, he moved with his family to Los Angeles, California and studied architecture at the University of Southern California.
  • He established his own firm in 1962 in Los Angeles.