One of the most distinctive forms in this era is the art song. The art song became its own special category of vocal music separate from folk, song, operatic aria, and popular song.
Romantic Art Song
It is a short piece for solo voice and piano. It was very lyrical.
Romantic Art Song
Composers made great strides during this time period to closely associate the text of words of a piece with its musical counterpart. In other words, poetry and music are intimately fused in the art.
Romantic Art Song
The melody of art song was poetic in nature, and its tones were more lyrical than the dramatic tones of an opera.
Melody
An art song would turn written poetry into something tangible that could be felt through its music.
Melody
The piano helped add more emotion into the Romantic art song.
Accompaniment
It enhanced the mood and meaning of the text by harmonic, rhythmic, and melodic material independent of the voice part.
Accompaniment
It provided harmonic and melodic support to the voice and also served to punctuate the poetic form by interludes between stanzas and lines of the poem.
Accompaniment
A group of poems by one poet set to music by a composer connected by a central musical idea or mood is called a song cycle.
Song Cycle
The verses are well-written. Poetic structure is responsible for the musical form of a song.
Form
The structure may either be:
Through-composed – form is different for each stanza and the music closely follows the changing ideas and moods of the poem.
2. Strophic – form in each stanza of the poem is set to the same music, whereas modified strophic form involves consecutive stanzas playing modified versions of the same music.
For well over three hundred years, opera has been one of the most important and best-loved theatrical genres of the nineteenth century.
Romantic Opera
An opera is generally referred to as "a stage presentation or work that combines music, costumes, and scenery to relay a story. Most operas are sung, with no spoken lines."
Romantic Opera
Characteristics of Romantic Opera
Melody
2. Harmony
3. Rhythm
4. Instrument
5. Spectacle
o Machinery
o Ballet
o Choruses
o Crowd scenes
Components of an Opera:
Libretto
2. Text
o Soprano
o Mezzo-soprano
o Contralto for women or the alto
o Tenor
o Baritone
o Bass
3. Music
4. Stages
o Recitative
o Aria
o Bel canto
o Castrato
The opera fostered different national styles in three of Europe's leading musical country ---France, Germany and Italy.
a.ComicOpera
b. SeriousOpera
c. OperaSemiseria
d. Opera Comique
e. GrandOpera
f. OperaVerismo
As the romantic opera continues to develop in the late 19th century, many composers focus and shifted to writing vocal works for this type of music.
Six hundred lieders and several famous song cycles.
Franz Schubert
“Master of Song Cycle”
Franz Schubert
Musical training under his father who taught him how to play violin; he also played the piano viola.
Franz Schubert
He studied counterpoint, keyboard playing and singing with Michael Holzen.
Franz Schubert
He also studied with the Italian composer Antonio Salieri.
Franz Schubert
He used to be choirboy, but in 1812 his voice cracked, ending his career in singing
Franz Schubert
In the next years, he was accepted as a teacher in his fathers’ school and taught children in the primary level.
Franz Schubert
During Bethooven’s funeral, Schubert was one of the torch bearers.
Franz Schubert
• “Serenade”
Franz Schubert
• “Serenade”
Franz Schubert
• “Ave Maria”
Franz Schubert
• “Who is Sylvia?”
Franz Schubert
• ”C Major Symphony”
Franz Schubert
• “Unfinished Symphony”
Franz Schubert
• “Die schone Mullerin”
Franz Schubert
• “Winterreise”
Franz Schubert
• “Death and the Maiden”
Franz Schubert
• “Die Forelle”
Franz Schubert
• “The ErlKing”
Franz Schubert
Compositions: Winterreise, Impromptus, Die schone, Mullerin
Franz Schubert
• He was also admired for his instrumental works such as the pieces “Traumerei,” “Carnaval,” “Fantasiestucke Op. 12,” “Toccata in C,” etc.
Robert Schumann
• Seven, Schumann was taught how to play the piano by his teacher, JohannGottfriedKuntzsch.
Robert Schumann
• His longest teacher after Kuntzsch was Friedrich Wieck.