Featuring heroes whom audiences can identify with and feel sorry for
Beginning in an ordered society and moves toward chaos, as the hero allows his flaws to rule him
Often, this chaotic change is reflected in the natural world, with storms and strange mists being characteristic
Train of bad decisions by the protagonist that culminates in an eventual 'stoic calm'
Character virtuously accepts the consequences of their error(s) at the end of play
The protagonist of Shakespeare's tragedies are not villains or saints but generally good people destroyed by their own ego or ill fate
Othello
A domestic tragedy containing a less socially impressive protagonist, one of middle or lower class status, and one who might possibly be more easy for the audience to identify with
Rebukes
To reprimand / disapprove
Traverses
Exceed over
Anagnorisis
The point in which a principal character recognizes another character's true identity
Anaphora
Repeating a sequence of words at the beginning
Antithesis
Opposite / contrasts something
Aside
A dramatic device in which a character speaks to the audience, an aside is usually a brief comment, rather than a speech, such as a monologue or soliloquy
Anadiplosis
Repetition in which the last word of one clause or sentence
Blank verse
Regularly metrical but unrhymed lines, almost always in iambic pentameter
Catharsis
Purgation or purification of the emotions of pity and fear from the viewing of a tragic drama
Cuckold
A man becomes a "cuckold" when his wife cheats on him
Dramatic irony
Reader knows something that the actors don't
Dramatis Personae
A list of character functions given at the start of the play
Epithet
An adjective or adjective phrase that characterizes a person or thing
Hamartia
Fatal flaw
Iambic pentameter
One line of iambic pentameter has 10 syllables
Idiom
Presents a figurative, non-literal meaning attached to the phrase
Interrogatives
Demanding phrases
Lexis
Vocabulary of language
Motiveless malignity
Motivelessly evil
Pathos
Sympathy audience feels for hero
Prose
Conversational way of speaking with no rhythm or structure
Poetic inversion
The normal order of words is reversed, in order to achieve a particular effect of emphasis or meter
Peripeteia
The reversal of a heroes fortune
Rhyming couplets
Rhyming pair of successive lines of verse
Semiotic indications
Signs and symbols that create meaning
Soliloquy
An act of speaking one's thoughts aloud when by oneself or regardless of any hearers
Stichomythia
Dialogue in which two characters speak alternate lines of verse
Superlatives
An exaggerated or hyperbolical expression of praise
Syntax
How words are combined to form sentences
Tragic Hero
A noble hero who encounters limits - must undergo a change of fortune
Tragic flaw
The flaw in character that brings about the hero's downfall
Socratic irony
When you pretend to be ignorant to expose the ignorance or inconsistency of someone else
Usurpation
Take a role/job/lead from someone
Verse
Verse always has a set rhythm and structure
Farce
A comic dramatic piece that uses highly improbable situations, stereotyped characters, extravagant exaggeration, and violent horseplay
Shakespeare's tragedies
Five act structure
Featuring heroes whom audiences can identify with and feel sorry for
Beginning in an ordered society and moves toward chaos, as the hero allows his flaws to rule him
Often, this chaotic change is reflected in the natural world, with storms and strange mists being characteristic
Train of bad decisions by the protagonist that culminates in an eventual 'stoic calm'
Character virtuously accepts the consequences of their error(s) at the end of play
The protagonist of Shakespeare's tragedies are not villains or saints but generally good people destroyed by their own ego or ill fate
Othello
A domestic tragedy - a tragedy with a less socially impressive protagonist, one of middle or lower class status, and one who might possibly be more easy for the audience to identify with