The art principle which produces an impression of unity through the selection and arrangement of consistent objects or ideas
Five aspects of harmony
Harmony of lines and shapes
Harmony of color
Harmony of size
Harmony of texture
Harmony of idea
Harmony of lines and shapes
Repition - Lines which repeat one another create shapes which show perfect harmony through uniformity
Contradiction - Lines which contradict one another create shapes which form harsh contrasts
Transitional or modifyinglines - create shapes which have pleasing variety with unity
Harmony of size
When sizes which are used together are too different, they are inconsistent. The aspect of proportion called "scale" is allied to harmony in the sense of "harmonious or consistent sizes"
Harmony of size
A small woman should avoid wearing large upper that cover their front
Large vases or lamps should not be placed on small tables
Harmony of texture
Coarse texture should not be combined with fine textures
Harmony of idea
It is not enough that shapes, sizes and textures have something in common: There must be harmony in the idea presented together
Rhythm
The movement within a piece of art that helps the eye travel through the to a point of focus. Like in music, rhythm in art can vary in its speed
5 types of rhythm
Flowing rhythm
Percussive rhythm
Random rhythm
Progressive rhythm
Alternating rhythm
Balance
The distribution and visual weight of elements in a composition. A well-balanced design is naturally pleasing to the eye and exudes a sense of equilibrium
Kinds of balance
Formal/Symmetrical balance
Informal/Asymmetrical balance
Proportion
The art principle which shows pleasing relationship between a whole and its parts and between the parts themselves
Emphasis
A principle of art which tends to carry the eyes from the center of interest or dominant part of any composition to the less important or subordinate parts
Methods of emphasizing objects
Arrangement orgroupingofobjects
Decoration
Color contrast
Use of plain background space
Use of unusual lines, shapes, sizes of color
Action or movement
Leonardo da Vinci's Proportions of the Human Figure (After Vitruvius) (c.1492) was his attempt at depicting the proportions of the human body