MAPEH8-quarter 4: Theater Arts

Cards (83)

  • Chinese Peking Opera
    China is known for their traditional theater art form, the Peking Opera
  • Red color

    denotes loyalty and goodness
  • white
    denotes evil
  • Black
    denotes integrity
  • Chou
    male clown role, usually plays secondary roles whose name also means "ugly"
  • Visual Performance Elements
    • Song
    • Speech
    • Dance-acting (pure dance, pantomime, all other types of dance)
    • Combat (both acrobatics and fighting with all manner of weaponry)
  • Meaning of colors used in masks/makeup in Peking Opera
    • Red - devotion, courage, bravery, uprightness, loyalty
    • Black-roughness and fierceness
    • Yellow - fierceness, ambition, cool-headedness
    • Purple-uprightness, sophistication, call-headedness
    • Reddish Purple - just and noble character
    • Blue-loyalty, fierceness, sharpness
    • white - dangerousness, suspiciousness, craftiness
    • Green- impulsiveness and violent and stubbornness
    • Xiaohualian (petty painted face) - small patch of chalk on and around the nose
  • Props
    table and at least one chair
  • Kabuki of Japan
    kabuki -form of traditional Japanese drama, originally used as a verb meaning "act dissolutely", ka = song, bu= dance, ki = art / skill, "translated as art of singing and dancing", known for stylization of drama
  • kabuku
    "to lean" or "to be out of the ordinary", kabuki can be "bizarre" theater
  • kabukimono
    bizarrely dressed and paraded on a street
  • Hanamichi
    flower path, walkway which extends into the audience
  • Okuni - also performs on a hanamichi
  • Kayakudo
    kabuki theaters that have stages both in front of the audience
  • mawar butal
    interior of the theater contains a revolving stage above
  • Suppon
    platform that rises from below the stage
  • Hanamicno
    walkway that cuts through the audience seating area to connect the stage with the back of the theater
  • some stages have 17 trapdoors
  • Three main Categories of the Kabuki Play
    • Jidaimono-historical or pre-Sengoku period stories
    • Sewamono-domestic or post-sengoku stories
    • shosagoto - dance pieces
  • Jidaimono
    history plays, set within the context of major events in Japanese history to the Shogunate
  • Sewamono
    focused primarily upon commoners, related to themes of family drama and romance
  • mie
    actor holds a picturesque pose to establish his character and his house name yago
  • yago
    sometimes heard in a loud shout (kakegoe) from an expert audience member
  • kesho
    greater compliment can be paid by shouting the name of the actor's father
  • Actors
    • Onna-gata female roles
    • Aragoto male roles
  • makeup
    one of the most iconic parts of kabuki, Blue and Red are usually aragoto roles, onna gata playing young women have very little paint
  • Oshiroi
    white base for characteristic stage makeup
  • kumadori
    enhances or exaggerates facial lines to produce dramatic animal or supernatural character
  • Five Acts
    • jo - auspicious and slow opening, introduces characters and plot to the audience
    • Ha- Speeding events up, great moment for drama and tragedy
    • possibly a battle in the second and/or third acts
    • Kyu-almost always short; quick and satisfying conclusion
  • Water
    represented by fluttering rolls of linen or creatures like insects and foxes
  • Fans
    used to symbolize wind, sword, tobacco pipe, waves, or food
  • Kimono and obi
    generally worn by female characters
  • hakuma trousers
    worn by character of sexes
  • Wayang Kulit of Indonesia
    Wayang-kinds of puppet theaters, sometimes the puppet itself is referred to as wayang, Kulit means skin, refers to the leather construction of puppets
  • Performances of shadow puppet theaters are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali
  • Stories drawn from Hindu Epics
    • Ramayana
    • Mahabharata
    • Serat menak story about heroism of Amir Hamza
  • Wayang kulit performance
    consists of shadows cast on cotton screen and an lamp
  • Cempala
    hammer used by dhalang to knock on the puppet box
  • kepyak
    metal plates the dhalang hits with his foot
  • gamelan
    traditional Indonesian orchestra