After completing a degree in English literature, Garland worked in the NHS and still does work in the NHS as a clinician and teacher
In 2001, Garland won the national poetry prize
Kamakazi comes from the collection of fireworks, a 2013 collection of poetry that focuses on life and death in the natural world
Kamakazi
Japanese fighter pilots who were sent on suicide missions during World War II, crashing their planes into enemy warships
Garland has a particular interest in what can motivate young men and these days young women too to give up their own lives in the service of a higher cause
The poem Kamakazi explores the causes of fundamentalism or terrorism
Kamakazi
The poem contains a mother talking to her children, who are talking about her father the kamakazi pilot and his father, so there are four generations in the poem
The conflict in the poem is personal as well as national
The cultural expectation and military expectation was that the kamakazi pilot would go and kill himself
The inner conscience of the pilot was that he wanted to return home
Kamakazi and Exposure
In both poems, an active military man questions what he's doing, thinking back to life at home and the comforts of family, but in Kamakazi, thoughts of the beauty of nature and memories of home cause the pilot to turn around and return
Structure of Kamakazi
Tight structure with 7 stanzas of 6 lines each, reflecting the tight control of the military and culture, but also contains free verse and enjambment, reflecting the pilot's desire for freedom and personal expression
Language in Kamakazi
Extensive use of natural imagery, showing the beauty of nature and why the pilot should not want to deprive others of that pleasure
The most powerful character in the poem is the tuna fish, not the kamakazi pilot
The image of sunrise represents both the power of nature and the power of man (the military flag of Japan)
Repetition in Kamakazi
Repetition of the word "safe", hinting at the pilot's mindset of wanting to return home safely to his children
Narrator in Kamakazi
Starts in third person, then switches to first person direct speech, reflecting the speaker's own conflict and shame about her father's actions
The ending of the poem is tragic, as the pilot finds himself metaphorically dead, wondering if literal death as a kamakazi would have been better than the emotional death he has experienced since returning home