Wuchang (to accompany acting, dancing, and fighting, featuring percussion instruments)
Elements of Peking Opera
Melody
Tempo
Harmony
Pengling
Two small bells made of high-tin bronze, without internal clappers, and hemispheric or bottomless gourd-like in shape
Dizi
Bamboo flute in Chinese, played horizontally and commonly carved out of a single piece of bamboo with a cork-lined blow hole
Yunlou
Tuned with seven pitches to the octave, may be carried by a handle or set on a table
Guzheng
A Chinese zither, a kind of plucked instrument with a pentatonic scale using the notes do, re, so and la
Types of Jingxi melodies
Xipi
Erhuang
Xipi and Erhuang
Both use Yuanbans
Erhuang
Serious and lyrical text, fiddle may be played and tuned lower, emphasize using a pentatonic scale in G and C with C equivalent between the Western B and B
Erhuang
Accompanies stories or moods of loss and sorrow in Peking Opera
Xipi
Can be heard during the happy and bright moments, emphasize using a pentatonic scale in E and A in the context of a scale starting on C
Musical elements of Peking Opera
Melody
Tempo
Harmony
Pengling
Two small bells made of high-tin bronze, without internal clappers, and hemispheric or bottomless gourd-like in shape
Moods in Xipi
Happiness
Agitation
Anger
Dizi
Bamboo flute in Chinese, played horizontally, commonly carved out of a single piece of bamboo with a cork-lined blow hole
Jingxi texts
Series of couplets of 7 or 10 syllables each
Arias
Categorized into different types but in a recognizable way
Musical tension
Using an incomplete melodic cadence (point of resolution) aids the tune to create a sense of forward motion and tension
Yunlou
Tuned with seven pitches to the octave, may be carried by a handle or set on a table
Guzheng
A Chinese zither, a kind of plucked instrument with a pentatonic scale using the notes do, re, so and la
Jing's melodies
Xipi
Erhuang
Xipi and Erhuang both use Yuanbans
Erhuang
Serious and lyrical text
Erhuang tunes
Accompany stories or moods of loss and sorrow in Peking Opera