Sheila is first described as "a pretty girl in her early twenties, very pleased with life and rather excited"
Sheila
Represents those who want to make a change
Is a malleable character that those who could create a bright future could shape
Takes on the inspector's knowledge and stance, and stands as his proxy on his departure
Sheila's involvement in Eva's life
Got her fired from Milward's, after which she would have to turn to prostitution to keep food on the table
Sheila
Is presented as quite childish but reveals a more mature side as the play progresses
Aligns most with J.B. Priestley's socialist views
Her jealousy and insecurity are replaced with maturity, as she grows as a person
Sheila is truly sorry for her actions, and knows that her actions have caused misfortune to others, that she must acknowledge-regardless of the person she has hurt's social standing
Unlike her parents, Sheila is quick to take responsibility after she realises she was part of Daisy's suicide, and resents her parents' lack of social responsibility
Sheila places no blame on Daisy, unlike the others (minus Eric)
Sheila
May be one of the more relatable or likeable characters for the audience, having changed for the better and actually listened to the inspector
Strongly overcomes her feelings of disdain and disgust towards Gerald's betrayal for the greater good (in inverted commas) of their marriage
Sheila refuses to make her parents feel comfortable about the situation, as older generations tend to be more prejudiced and against newer ideas coming from younger generations
Sheila tries to break from gender roles by confronting Gerald about his affair, and setting boundaries between the two of them afterwards
Sheila's change may not be permanent, as she still accepted Gerald's ring (a symbol of nepotism, classism, and patriarchy that Gerald holds)
Sheila's outburst at the start, "these girls aren't cheap labour, they're people", signifies that she is the most likely to be receptive to the inspector's message
Sheila is willing to overcome her ignorance and go against her family members, making her the ideal recipient of the inspector's message
The stage directions "she [Sheila] goes closer to him [the inspector] wonderingly" represents her physically and mentally moving closer to a socialist ideology
Sheila: '"it was my own fault"'
Sheila: '"it's you two who are being childish - trying not to face the facts"'
Sheila: '"destroying herself so horribly - and i've been so happy tonight. oh i wish you hadn't told me. what was she like? was she quite young?"'
Sheila would be the perfect candidate for the suffragette movement that was rising at the time