4Q8 MAPEH

• 1. Binislakan (Lingayen) 


  Dance Researcher: Francisca Reyes-Aquino

  Meaning: With the use of sticks

  Dance Culture: Christian-lowland

  Place of Origin: Lingayen, Pangasinan

  Country of Influence: China

  Ethno-linguistic Group: Pangasinense

  Classification: Social Dance
• 2. Sua-ku-Sua

  - Dance Researcher: Francisca Reyes-Aquino - Meaning: My Pomelo Tree - Dance Culture: Muslim-lowlands - Place of Origin: Jolo, Sulu - Country of Influence: China, Malaysia, Indonesia - Ethno-linguistic Group: Tausug - Classification: Courtship Dance
• 3. Pangalay

  - Dance Researcher: Francisca Reyes-Aquino - Meaning: Finger Nails - Dance Culture: Muslim-Lowland (Coastal) - Place of Origin: Sulu - Country of Influence: Thailand, Malaysia, Burma, Cambodia, Indonesia - Ethno-linguistic Group: Tausug - Classification: Wedding/Festival Dance
• 4. Sakuting

  - Dance Researcher: Francisca Reyes-Aquino - Meaning: Rhythmic sticks producing the accompaniment for the dance. - Place of Origin: Abra and Ilocos Norte - Country of Influence: China - Classification: Social Dance
• Kabuki


  Form of traditional Japanese drama with highly stylized song, mime, and dance
• Kabuki is only performed by male actors
• Kabuki is also known for the stylization of its drama and for the elaborate makeup worn by some of its performers
• Kabuki


  Sometimes translated as "the arts of singing and dancing"
• Kabuki

  Meaning to lean or to be out of ordinary, kabuki can be "bizarre" theater
• Kabuki Stage Features


  • Hanamichi – a flower path, a walkway which extends into the audience via which dramatic entrances and exits are made
  • Kogakudo – Stages both in front of the audience and along the sides help create a bond between the actors and viewers
  • Mawaro Butal – the interior of the theater, contains a revolving stage
  • Suppon – a platform that rises from below the stage
  • Hanamicho – a walkway that cuts through the audience seating area to connect the stage with the back of the theater
• The Three Main Categories of Kabuki

  • Jidaimono – historical or pre-Sengoku period stories
  • Sewamono – domestic or post-Sengoku sostries
  • Shosagoto – dance pieces
• Kabuki Actors' Main Categories

  • Onna-Gata – refers to female characters
  • Aragoto – refers to male roles
• Kabuki Makeup Colors and Meanings

  • Red – passion, heroism, righteousness, and other positive traits
  • Pink – youthful joy
  • Light Blue – even temper
  • Pale Green – peacefulness
  • Blue/Black – villainy, jealousy, and other negative traits
  • Green – the supernatural
  • Purple – nobility
• Kabuki Costumes


  • Female: generally wear an elaborate kimono and Obi Pleated Hakuma trousers
  • Actors playing both sexes: have a supported midriff because a straight and curve-less figure are regarded as the essence of beauty
• Costume changing in Kabuki is considered as an art. There are special teams that take care of complete and partial costume changes and are done as part of the performances
• Kabuki wigs are made of human hair, horse hair, bear fur, or yak-tail hair imported from Tibet
• Peking Opera


  China's traditional theater art form, which combines music, vocal performance, pantomime, dance, and acrobatics
• Peking Opera started in the late 18th century and became fully developed and recognized by the mid-19th century
• During the Qing Dynasty court, Peking Opera became extremely popular and came to be regarded as one of the cultural treasures of China
• Peking Opera students were often handpicked at a young age by a teacher and trained for seven years on contract from the child's parents. After 1911, training took place in more formally organized schools
• Peking Opera students rose as early as five o' clock in the morning. Daytime was spent learning the skills of acting and combat and senior students performed in outside theaters in the evening
• Peking Opera Character Roles

  • Xiaosheng – often involved with beautiful women by virtue of the handsome and young image they project
  • Wusheng – martial character for roles involving combat. They are highly trained in acrobatics and have a natural voice when singing
  • Laosheng – A dignified older role
  • Laodan – an old woman
  • Wudan – a martial woman
  • Daomadan – young female warrior
  • Qingyi – an elite virtuous woman
  • Huadan – an unmarried vivacious woman
  • Jing – painted face male role who plays either primary or secondary roles. This type of role entails a forceful character. The red color denotes loyalty and goodness, white denotes evil, and black denotes integrity
  • Chou – A male clown that usually plays secondary roles. Chou, meaning "ugly". Reflects the traditional belief that the clown's ugliness and laughter could drive away evil spirits
• Four Main Skills in Peking Opera

  • Song
  • Speech
  • Dance Acting
  • Combat
• Wayang


  Refers to different kinds of puppet theaters. Sometimes the puppet itself is referred to as wayang
• Wayang Kulit is the best known of the Indonesian Wayang
• Wayang Kulit


  Leather construction of the puppets that are carefully shaped with very fine tools and supported with carefully shaped buffalo horn handles and control rods
• Wayang Kulit was given recognition as a Masterpiece of Oral and Intangible Heritage of Humanity on November 7, 2003 by UNESCO and required Indonesians to preserve their heritage
• Stories in Wayang Kulit are usually drawn from the Hindu epics

  • Ramayana
  • Mahabharata
  • Serat Menak – heroism of Amir Hamza
• Wayang Kulit Performance


  Consists of shadows cast on a cotton screen and an oil lamp. In Java, a halogen electric light is most often used as a light source
• Wayang Sandosa has employed spotlights, colored lights, and other innovations
• Fundamental Components of a Wayang Kulit Performance


  • The Puppeteer, dhaling (Java)/Dalang (Bali)
  • Cempala – hammer used by the dhalang to knock on the puppet box
  • Kepyak – metal plates that the dhalang hits with his foot
  • Gamelan – traditional Indonesian orchestra
  • Wayang Kulit – shadow puppets
  • Blencong – a light source
  • Pesindhen – female singers
  • Penggerong – male chorus
  • Gawang and Kelir – screen frame and screen, the main focus of the performance
  • Kothak – puppet box
• Nang Shadow Puppet Show


  One form of public entertainment in the south of Thailand. It is still very popular at village festivals, temple fairs, and celebrations such as marriages
• Types of Nang Shadow Puppets

  • Nang Talung – played with leather puppets, each representing a separate character, about 50 centimeters high. They usually possess a movable, jointed arm controlled by a string
  • Nang Yai – played with leather puppets, each representing a separate character, about 50 centimeters high. They usually possess a movable, jointed arm controlled by a string
• Nai Nang


  The teachers and presenters of the Nang Talung
• There are over 300 Nai Nang in the southern regions of Thailand. They perform using the puppets on a backlighted white screen, and hide themselves in small wood and bamboo shelters. The performances run from dusk to dawn and incorporate narration, songs, prose, and the performer's improvised dialogue
• Characters in Nang Shadow Puppet Shows are the gods and goddesses, kings and queens, magical figures, and comedians. It is the Nai Nan's responsibility to act as an intermediary between the community and the gods, thus the Nang and its producers are highly respected and greatly entwined into Thailand's cultural fibers
• Cigarettes


  Gateway drugs that are readily available and generally accepted in our society
• Tobacco


  A tall, leafy plant, originally grown in South and Central America, but now cultivated throughout the world. It is used for producing present day cigarettes.
• Nicotianatabacum

  Also called "common tobacco"
• Effects of Tobacco (Cigarettes)

  • Cancer on the mouth (Squamous Carcinoma Cancer)
  • Tumor in larynx
  • Could not talk
  • Her nose became useless
  • Can't blow candles
  • Can't smell
  • Not allowed to swim
  • Difficulty in taking showers or baths
  • Can't whistle
  • Can't sing