Body language is a big part of communication, constituting about 75% of all communication
Gestures
Any observable movement that helps express or emphasize an idea
Gestures are usually obvious actions confined to the head, shoulders, hands, and arms, helping to communicate something specific to the audience
Physical Theatre
A very popular art form in South Africa, using physicalform of storytelling to reach a wide audience and overcome language and culturalbarriers
Physical theatre does not always exclude dialogue like sheer mime work, but the focus is on how visualimages are used to tell the story, rather than dialogue
The form of theatre is not necessarily always concentrated on human characters - bodies can be used to create entire landscapes
Physical theatre
Theatre that tells a story visually rather than aurally, making use of physicalimages rather than the spokenword
Physical theatre includes
Dance theatre
Motion theatre
The spoken word (acting)
Clowning
Puppetry
Mime
Masks
Vaudeville
Circus
Music
Singing
Imagery
Because it includes all forms, physicaltheatre can be seen as "totaltheatre"
Physical skills needed for physical theatre
Strength (for picking up others)
Posture and poise (standing or moving in an aesthetic way)
Agility
Stamina (inner physical and mental strength)
You should be comfortable with very close physical contact in physical theatre
You have to be creative in physical theatre
You have to be a dancer with actingskills in physical theatre
You must be able to work within group context and function well within a group in physical theatre
Although physical theatre productions are mostly staged, numerous productions have been staged in other spaces
The only aspect that a physical theatre production requires for performance is an open space
Physical theatre can be performed in public spaces - anywhere where there is an open space and an audience
Drama and theatre
Originated from rituals
Rituals
1. Communication with gods/ancestors
2. Ask for blessings
3. Show appreciation
4. Celebrate life
Rituals were accompanied by songs, dance, storytelling, poetry and exaggerated costumes
In ritual theatre, the audience actively participates
Over time, ritual enactments became highly skilled performances with a degree of realism, and people came to watch and thus it became more like performances
Essence of drama and theatre
(According to Aristotle) People have always enjoyed imitating other people and watching imitations
For the theatre to exist we need a community that is able to acknowledge the artistic importance of drama and theatre, and we need people who are able to arrange the theatrical components into an experience of a higher order
The Greeks must be thought of as the main inventors of the theatre since it was they who first identified its possibilities
Dionysus
God of wine and fertility in ancient Greece
Greek drama was performed exclusively in connection with the festival held in honour of Dionysus
Dionysus
Son of Zeus and Semele
Killed, dismembered and then brought back to life
Took on the forms of a bull and a goat
Dionysus' story was linked with the seasons and the life cycle: in the winter everything in nature dies and decays, but in the spring and summer, everything comes back to life once again
Dionysus represented the human desire for reproduction (food, children, etc.) and keeping him happy (through worship), was of fundamental importance to the Greeks
Dionysus' worshippers enacted his story and sacrificed a bull or a goat, ate the flesh and drank the blood in order to identify with him
Tragedy
Means 'goat song', a reference to the sacrificial goat that represents Dionysus
As time went on and people moved to more urban areas the rituals became more structured and formalised
Dithyramb
A choric hymn chanted or sung by a chorus of men in Ancient Greek rituals, describing the adventures of Dionysus
At religious festivals, a dithyramb accompanied by mime or simple gestures, became extended to include dialogue
The Greeks held a series of religious festivals honouring the gods, and it was at these festivals that plays were performed
Festivals in honour of Dionysus
The Rural Dionysia (in December)
The Lenaia/Lenea (in January)
The Anthesteria (end of February)
The City of Great Dionysia (end of March)
The first record of formal drama in Greece comes from 534BCE, when the City Dionysia was reorganized and a competition for the best tragedy set up
The City Dionysia became the major festival for the presentation of drama. It was a six/seven-day event which the whole city of Athens attended