Experimental theater (Also known as avant-garde theater)
Rejection of the conventional theater styles
Changes the theme, language, even the relationship of the actors to the audience
Breaking of the "fourth wall" where the actor address dialogues (questions) to the audience
Realism
Depicts life as it is naturally
Symbolism
Expressing the intangible or unseen internal feelings by means of visible or sensuous representations
Expressionism
Express emotion and dreaming rather than normality
Naturalism
Naturalistic which was influenced by Darwin's theory of evolution
One's character is determined by its heredity and environment
Technological development made way for broadways and commercial plays as ropes and pulleys were utilized to support special effects and scene changes within seconds
Another important product of this period was operas
Neoclassical theater
Forms inspired by the classics
Emphasis on the exact adherence to the classical models
Contributed to proper decorum (audience etiquette) when watching a play
Characterized by lavish and complex scenery, costumes, large gestures and melodramas, political satirical comedies outshined the sexual farces of the restoration
Baroque theater
Tragedy was the overall preferred genre
Aristrocracies preferred the lighter tragicomedy
Restoration comedies
Sentimental comedy - more realistic on the nature of human beings having tendencies to go astray and return to the right path after overcoming trials
Romantic Theater
1800 to 2000
Melodrama and opera's were the most popular theatrical forms
Element
A part or aspect of something, a component or a constituent of a whole
Aristotle (384-322BC) was a Greek philosopher and scientist who first analyzed and wrote about the essential elements of drama more than 2,000 years ago
Aristotle's list of 6 elements of drama
Plot (mythos)
Character (ethos)
Thought (dianoia)
Language/Diction (lexis)
Melody (melos)
Spectacle (Opsis)
Plot
The action; the basic storyline of the play
Character
The moral or ethical character of the agents, revealed when the agent makes moral choices
Thought
The story background being delivered in a spoken reasoning, the meaning of the play (theme)
Language/Diction
The quality of speech in a tragedy, the expression of the meaning of words
Melody
The rhythm of the actors' voices as they speak (as in the case of the "chorus")
Spectacle
The visual elements of a play: sets, costumes, special effects, etc.
The list of elements grew gradually in number and became more specific and emphasized as modern playwrights and other theater enthusiasts applied some changes to it over the years
Elements of Drama in the Modern Theater
Literary Elements
Technical Elements
Performance Elements
Literary Elements
Plot
Theme (thought)
Character
Language/Dialogue
Rhythm/Music
Spectacle
Genre/Theatrical form
Audience
Convention
Technical Elements
Scenery (Set)
Costumes
Properties (Props)
Lights
Sound
Make-up
Performance Elements
Acting
Character Motivation
Character Analysis
Empathy
Speaking
Breath Control
Gestures
Facial expression
The use of these elements depend on the complexity of the play because there are instances where some of the elements do not apply
Theater
Place of seeing, more than just the buildings where performance takes place
Producing theater
1. Playwright writes scripts
2. Director rehearses performers
3. Designer and technical crew produce props
4. Actors and actresses perform on stage
5. Audience witnesses it
Greek theater
Began around 700 BC with festivals honoring the gods
Dionysus, god of wine and fertility, had religious festivals called "The Cult of Dionysus"
Three types of drama: tragedy, comedy, satyr
Tragedy
Most admired type of play, dealt with tragic events and had an unhappy ending, Thespis was the first actor and introduced masks
Comedy
Plays derived from imitation, Aristophanes wrote most of the comedy plays
Satyr
Plays contained comic elements to lighten the overall mood or a serious play with a happy ending, short and lighthearted tailpiece