Developsattitudes and concepts, generatesinterests, andpresentsaspecialchallenge to the mind, thus firing the imagination
Literary appreciation
Intelligentreading which implies a depth of understanding so that new insights are developed and fresh approaches are generated to heighten the reading pleasure
Oral interpretation
The artofcommunicatingtoanaudience to work of literature in its intellectual, emotional, and aesthetic entirety
The act of an individual or of a group, which communicates to an audience, the ideas and emotions gained from a selection through the tonal elements of the voice, expressions of the face, gestures and movements of the body
Aspectsofeffectiveoralcommunication
Vocal techniques
Body techniques
Vocal techniques
Careful and clear production of the vowel and consonant sounds of the language in order to be understood
Use of the various attributes of the voice–pitch, force, rate, and quality–to achieve vocal expression
Adequate projection to ensure the audience will hear
Body techniques
Energetic use of the different partsofthebody to convey the ideasandemotionspresented in the literary piece
Conventionalgestures of the headandhands
Descriptiveorsuggestive gestures of the hands and body
Movements
Types of oral interpretation
Speech choir
Chants and raps
Readers theater
Interpretative reading
Storytelling
Chamber theater
Benefits of participating in oral interpretation activities
Gain mastery of vocabulary and comprehension skills
Develop an ear for tone and tempo
Enhance vocal quality and improve speech and diction by correcting individual speech faults
Speak with confidence, authority, and a shared sense of achievement
Develop a love for and good taste in literature
Acquire a well-poised and intelligent personality
Speech choir
A balanced group of voices reciting poetry and other rhythmic literature together with a unity and beauty born of thinking and feeling as one
Like an orchestra with the human voices as the different keenly tuned instruments
Namesforspeechchoir
Versechoir
Speakingchoir
Choral-speakinggroup
Choric selection
Poems are often chosen as materials for choric work, although some prose works may serve the purpose
The choricreading must result in a better understanding and an enhancement of the literary activity
Bases for choosing choric selection
The choral group (age, grade level, and choric experiences)
The occasion (special day or program with a definite theme)
Casting the choric piece
Determining who speaks the lines and how they should be said
Considering the classificationsofvoices, choice of arrangement, and kind of choric presentation
Voice classification
Light (high pitch, fine, buoyant, or delicate)
Dark (low pitch, heavy, full, and solid in quality)
Medium (between light and dark)
Suggestions for casting based on voice classification
Lightvoices for lines that are airy in thought or light in feeling
Dark voices for lines expressing somber, serious thoughts
Mediumvoices for refrains, narratives, or factual lines or sections
Solos for direct conversation, emphasis, or abrupt changes
Full voice group for refrain, narration, or climax
Contrasting voice groups for emphasis or abrupt changes