Palanca Awardee, researcher, art critic, professor, renowned writer
"Reading the Image"
Guidelines on how to analyze or interpret images from different sources like advertisements, text or even paintings
Art belongs in society and history since these two fields of studies are always interconnected
Basic information that must be documented in any artwork
Title of the work
Artist
Medium and technique
Dimensions/measurement
Date of the work
Origin
Considerable research is vital in understanding a work of art as its meaning can grow over time
Michelangelo's "The Creation of Adam" completed in 1512, in 1990 Dr. Frank Lynn Meshberger made an observation that the outline of the work looks like a human brain
Art's meaning
Combination of intellectual, emotional and sensual significance that the piece can pass on to its viewers
Viewers can look at any piece and interpret it differently according to their background, experience and culture
Semiotics
The study of signs
Symbol
Any movement, action, illustration, sequence, or occurrence that conveys meaning
Language
The structural system or grammar of speech, as well as the decision made by a speaker to express that pertinent information
Parole
The practical implementation of the language system inside a specific language, or the articulation of the system through spoken words or written representation
Signifier
The physical part of the sign, the actual spoken or written word
Signified
The mental construct, the idea or meaning of a symbol
Types of signifiers
Icon - physically represents the meaning
Index - demonstrates what it represents
Symbol - has no similarity between the signifier and the signified, culturally linked
Images should not be isolated or segmented, but rather perceived in a very connected manner
The two sources of meaning include the universal human experiences (psychological or physical) and socio-cultural conventions of a particular society
Iconic plane
Deals with the unique attributes, parts, and characteristics of the picture
The iconic plane involves selecting the subject with political and social impacts
Contextual plane
Putting the work in context and its relationship to society
Evaluative plane
Determining what is considered a value in the artwork and the underlying social issues conveyed
Art history
The historical study of visual arts focused on identifying, classifying, describing, assessing, interpreting, and comprehending art products
Objectives of art history
Establish authorial origins of artworks
Authenticate the artist
Determine the era of cultural development
Analyze the influences of the artist
Gather biographical documentation about the artists
Art history also examines art styles and traditions across periods, movements, and schools
Iconography
Analyzing the symbolism of works of art
Art historians are interested in the works of art represented at the time of creation as a way to learn about the civilizations of the past
Cave Art
Paintings, engravings and scripture during the Ice Ages, commonly made from hematite (iron oxide), manganese and charcoal dioxide
Egyptian Art
Focused on the principle of cohesion or ma'at, representing the beautiful universe of gods, sculptures as sanctuaries for spirits or deities
Greek Art
Images of epic wars, scholarly philosophers, gleaming white buildings, and limbless nudes, bringing a huge impact to the modern arts
Roman Art
Suffered from a reputation crisis, many significant works were duplicates or influenced by earlier Greek originals, varied approaches due to the vast geographical location of the Roman empire
Medieval Period
Featured glass mosaics, wall paintings, and metalwork, Byzantine art was traditional and primarily religious, with little realism and serious, somber themes
Chinese Painting
Recognized as "guóhuà", with two primary methods: "Gongbi" using precise brushstrokes, and "xieyi" style ink and wash painting
Japanese Print
Woodblock printing launched into the Han dynasty, used for inexpensive books and mass processing of prints
Renaissance Art
Marked a shift towards realism, humanism, and individualism, with a focus on the human form and perspective
Woodblock printing
Art launched into the Han dynasty, until its Edo era in 1603 to 1868
Handscrolls
Inexpensive books used for woodblock printing, later converted to mass produce prints
Japanese print
Thirty-six views of Mt. Fuji
Japanese print
Features a huge arching wave that threatens to consume two boats below, while Mount Fuji sits serenely in the distance
Fostered by centuries of peace during the Edo period and development of a sophisticated road system, creating a culture of leisure travel and desire for prints of famous landscapes as cheap souvenirs
Encouraged by Western imports of prints and drawings representing new ways of looking at the world
Renaissance art
Portrayed religious images, including the Virgin Mary or Our Lady, seen by contemporary audiences as objects of devotion
Many were painted as altarpieces for inclusion in Catholic rituals, donated by patrons who sponsored the mass