Actors are often involved with beautiful women by virtue of the handsome and young image they project
Wusheng
A martial character for roles involving combat
Highly trained in acrobatics
Have a natural voice when singing
Laosheng
A dignified older role
Characters have a gentle and cultivated disposition
Wear
Dan
Refers to any female role in Peking opera
Laodan
An old woman
Wudan
A martial woman
Daomadan
Young female warriors
Qingyi
Virtuous and elite women
Huadan
Vivacious and unmarried women
Jing
A painted face male role who plays either primary or secondary roles
Forceful character meaning the Jing actor must have a strong voice and able to exaggerate gestures
Red denotes loyalty and goodness
White denotes evil
Black denotes integrity
Chou
A male clown role
Usually plays secondary roles
Name also means "ugly"
Peking opera performers' main skills
Song
Speech
Dance-acting (includes pure dance, pantomime, and all other types of dances)
Combat (includes both acrobatics and fighting with all manner of weaponry)
Red
Devotion, courage, bravery, uprightness and loyalty
Black
Roughness and fierceness
Yellow
Fierceness, ambition and cool-headedness
Purple
Uprightness, sophistication and cool-headedness
Reddish purple
Just and noble character
Blue
Loyalty, fierceness and sharpness
White
Dangerousness, suspiciousness and craftiness
Xiaohualian
A small patch of chalk on and around the nose. Clowns of traditional drama who wear this special makeup show a mean and secretive character.
Hanamichi
A flower path, a walkway which extends into audience via which dramatic entrances and exits are made.
Kogakudo
Kabuki theaters that have stages both in front of the audience and along the sides help create a bond between the actors and viewers.
Mawaro butal
The interior of the theater contains a revolving stage
Suppon
A platform that rises from below the stage.
Hanamicho
A walkway that cuts through the audience seating area to connect the stage with the back of the theater.
The Three Main Categories of the Kabuki Play
Jidaimono (history plays)
Sewamono (focused on commoners)
Shosagoto (dance pieces)
Mie
Actor holds a picturesque pose to establish his character and his house name yago.
Yago
Sometimes heard in a loud shout.
Kakegoe
An expert audience member, serving both to express and enhance the audience's appreciation of the actor's achievement.
Kesho
The name of the actor's father.
Onna-gata and Aragoto
Onna-gata (female roles)
Aragoto (male roles)
Kumadori
Enhances or exaggerates facial lines to produce dramatic animal or supernatural character.
Kumadori colors and their meanings
Red (passion, heroism, righteousness)
Pink (youthful joy)
Lightblue (eventemper)
Palegreen (peacefulness)
Blue or black (villainly,jealousy, negative traits)
Green (supernatural)
Purple (nobility)
Structure of a Kabuki play
1. Jo (auspicious and slow opening)
2. Ha (speeding events up, culminating in drama or tragedy)
3. Battle in the fourth acts
4. Kyu (quick and satisfying conclusion)
Symbolic representations in Kabuki
Flowing water (fluttering rolls of linen, insects, foxes)
Fans (wind, sword, tobacco pipe, waves, food)
Kabuki stage crew
Black hooded robesso (invisible to audience)
Kimono and obi (female characters)
Pleated hakuma trousers (worn by characters of both sexes)
Costume changing is considered as an art. There are special teams that take care of complete and partial costume changes and are done as part of the performances.
Wigs are important accessories, with each costume having its own type. Specialized craftsmen shape the wigs to the head.