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Cards (70)

  • Sheng
    The main male role in Peking opera
  • Xiaosheng
    • Actors are often involved with beautiful women by virtue of the handsome and young image they project
  • Wusheng
    • A martial character for roles involving combat
    • Highly trained in acrobatics
    • Have a natural voice when singing
  • Laosheng
    • A dignified older role
    • Characters have a gentle and cultivated disposition
    • Wear
  • Dan
    Refers to any female role in Peking opera
  • Laodan
    • An old woman
  • Wudan
    • A martial woman
  • Daomadan
    • Young female warriors
  • Qingyi
    • Virtuous and elite women
  • Huadan
    • Vivacious and unmarried women
  • Jing
    • A painted face male role who plays either primary or secondary roles
    • Forceful character meaning the Jing actor must have a strong voice and able to exaggerate gestures
    • Red denotes loyalty and goodness
    • White denotes evil
    • Black denotes integrity
  • Chou
    • A male clown role
    • Usually plays secondary roles
    • Name also means "ugly"
  • Peking opera performers' main skills
    • Song
    • Speech
    • Dance-acting (includes pure dance, pantomime, and all other types of dances)
    • Combat (includes both acrobatics and fighting with all manner of weaponry)
  • Red
    Devotion, courage, bravery, uprightness and loyalty
  • Black
    Roughness and fierceness
  • Yellow
    Fierceness, ambition and cool-headedness
  • Purple
    Uprightness, sophistication and cool-headedness
  • Reddish purple

    Just and noble character
  • Blue
    Loyalty, fierceness and sharpness
  • White
    Dangerousness, suspiciousness and craftiness
  • Xiaohualian
    A small patch of chalk on and around the nose. Clowns of traditional drama who wear this special makeup show a mean and secretive character.
  • Hanamichi
    • A flower path, a walkway which extends into audience via which dramatic entrances and exits are made.
  • Kogakudo
    • Kabuki theaters that have stages both in front of the audience and along the sides help create a bond between the actors and viewers.
  • Mawaro butal

    • The interior of the theater contains a revolving stage
  • Suppon
    • A platform that rises from below the stage.
  • Hanamicho
    • A walkway that cuts through the audience seating area to connect the stage with the back of the theater.
  • The Three Main Categories of the Kabuki Play
    • Jidaimono (history plays)
    • Sewamono (focused on commoners)
    • Shosagoto (dance pieces)
  • Mie
    Actor holds a picturesque pose to establish his character and his house name yago.
  • Yago
    Sometimes heard in a loud shout.
  • Kakegoe
    An expert audience member, serving both to express and enhance the audience's appreciation of the actor's achievement.
  • Kesho
    The name of the actor's father.
  • Onna-gata and Aragoto
    • Onna-gata (female roles)
    • Aragoto (male roles)
  • Kumadori
    Enhances or exaggerates facial lines to produce dramatic animal or supernatural character.
  • Kumadori colors and their meanings
    • Red (passion, heroism, righteousness)
    • Pink (youthful joy)
    • Light blue (even temper)
    • Pale green (peacefulness)
    • Blue or black (villainly, jealousy, negative traits)
    • Green (supernatural)
    • Purple (nobility)
  • Structure of a Kabuki play
    1. Jo (auspicious and slow opening)
    2. Ha (speeding events up, culminating in drama or tragedy)
    3. Battle in the fourth acts
    4. Kyu (quick and satisfying conclusion)
  • Symbolic representations in Kabuki
    • Flowing water (fluttering rolls of linen, insects, foxes)
    • Fans (wind, sword, tobacco pipe, waves, food)
  • Kabuki stage crew
    • Black hooded robesso (invisible to audience)
    • Kimono and obi (female characters)
    • Pleated hakuma trousers (worn by characters of both sexes)
  • Costume changing is considered as an art. There are special teams that take care of complete and partial costume changes and are done as part of the performances.
  • Wigs are important accessories, with each costume having its own type. Specialized craftsmen shape the wigs to the head.
  • Materials used to make Kabuki wigs
    • Human hair
    • Horse hair
    • Bear fur
    • Yak-tail hair imported from Tibet