Cards (27)

  • Stretto – entries of a fugue subject which occur closer together than before. It creates a sense of urgency and excitement
  • Canon – the same melody is played by groups but some enter with delay
  • Dialogue – Instruments literally in ‘dialogue’, playing one after the other as if in conversation
  • Relative Minor - when the key signature is shared with the major key
  • Antiphonal – call and response between two groups. As in the B section with the concertino and ripieno
  • Imitation – one layer/instrument copies the same melody from another layer
  • Suspension – a dissonance between parts that then resolves 
  • Concerto grosso – when the solo group has more than one soloist and orchestra is accompanying
  • Concertino –the group of solo instruments in concerto grosso
  • Ripieno – The orchestra in a concerto grosso
  • Basso continuo – chords and bassline that played by cello and lefthand harpsichord in ripieno
  • Ornamentation – notes that decorate a melody, including trill and appoggiatura
  • Trill – two notes rapidly altered
  • Appoggiatura – lean on one note, a kind of ornamentation
  • Terraced dynamics – A sudden change in dynamics without crescendo or diminuendo. It is normally created with a change in texture instead of literal dynamics
  • Tonic – 1st note in the scale 
  • Dominant – 5th note in the scale
  • Fugue – a form of music that has a theme (contains subject, countersubject, development) and answers by others to create the interweaving texture. Creates a contrapuntal texture.
  • Subject – the main theme of fugue theme
  • Counter-subject – a contrasting part of fugue theme, but still goes well with subject
  • Development – the development of the subject in a fugue theme
  • Answer – a melody that literally 'answers' the subject, normally moving in a similar direction but starting on a different pitch.
  • Binary form – a piece that has A B sections
  • Ternary form – a piece that has A B A sections
  • Monophonic - one layer
  • Polyphonic – many layers
  • Counterpoint – an equally important melody playing against the main theme – still sounds in harmony (polyphonic)