M2

• 1. Early Classical

  Stamitz op.3 no.2

  • loose rounded binary form
  • relaxed andante

  Mozart no.41

  • sonata from typical of time
  • reduced instrumentation
  • subdominant key
  • lyrical melody interrupted by loud passage in minor
• 2. Haydn 104

  • unusual structure - opening theme provides basis for movement
  • ABA ternary structure but mostly 1 theme - theme + variation elements
• 3. Beethoven

  Eroica no.3

  • slow, sombre funeral march - much slower than typical m2s
  • expanded ternary form
• 4. Mendelssohn Italian

  • Funeral March - religious procession
  • subdominant minor
  • slow sonata form - no formal development
  • flat 7 C natural modal feel
  • programmatic ending - only pp bass and cello like procession leaving
• 5. Later Romantic

  Dvorak New World

  • slow nostalgic cor anglais solo - spiritual influence
  • series of brass chords opening
  • middle section more lively

  Schuman no.3 Rhenish

  • m2 elements of scherzo and trio variations - normally see in m3