Requires sound knowledge of the traditional dance numbers that make up a Bharatanatyam programme
Alarippu
A prayer-oriented dance piece that a dancer learns and performs at the beginning
Alarippu
Offers salutations to the god, teacher and the audience
Belongs to Shuddha Nrittha category of dancing where importance is given to the rhythm and not to the lyrics
Prepares the dancer physically and mentally to carry out a successful dance programme
Alarippu
Done at the beginning of a Bharathanatyam performance in three speeds - Samabhangi, Araimandi, Purnamandi positions respectively
Jathisvaram
The second item presented in a Bharathanatyam programme
Jathisvaram
Has three parts - pallavi, anupallavi and charanam
Pallavi is repeated many times in the beginning for which rhythmic patterns of jathis and adavus are set
Has no lyrical elaboration and belongs to pure dance form
Famous composers of Jathisvaram
Veene sheshanna
Tanjore brothers
Devaranamas
Devotional compositions mostly filled with devotion and morals, outcomes of the experience and devotion of Haridasas (servants of the lord Hari)
Haridasas belonged to the 'Vaishnava' school of thought in Hinduism
Some Haridasa composers and their unique "ankita nama"
Purandara Dasa
Kanaka Dasa
Sripadaraya
Vijaya Dasa
Vadirajatirtha
Gopaladasa
Helevanakatte Giriyamma
Jagannathadasa
Naraharitha
Vyasabitha
Raghavendra
Prasanna Venkatadasa
Purandara Vittala (popularly known as Kamataka sangeeta pitamaha or Grand Father of Kamataka music)
Adi Keshava
Ranga Vitthala
Vijaya Vittala
Hayavadana
Gopala Vittala
Helevanakatte Ranga
Jagannatha Vittala
Narahari Raghupathi
Sri Krishna
Dheera Venu Gopala
Prasanna Venkata
Devaranamas
Composed on the concept of Hari Bhakti with social values, morals and virtues as the theme
Play a vital role in the vast field of art, especially Bharatanatyam
The beauty lies in the simplicity of devaranamas, in the language immersed in bhakti or devotion, and rich content that proves to be a link between the lord and the devotee
Some popular devaranama compositions
Narayana Ninnanama
Vandisuvudadiyali
Pogadirelo Ranga
Venkatachala Nilayam
Jagadodharana
Devaranamas
Play a vital role in the vast field of art, especially Bharatanatyam
The beauty lies in the simplicity of devaranamas, in the language immersed in bhakti or devotion
Rich content that proves to be a link between the lord and the devotee