A painting, drawing or sculpture of Mary, the mother of Jesus, holding the dead body of Jesus. The word means "pity" in Italian. Mary is shown as a beautiful young woman and not as a woman of about 50 to which she would have been at this stage. Some think this emphasises her purity and innocence. Michelangelo said women who are chaste (virgins) keep their beauty for longer. When Mary holds Jesus in this sculpture, you can see that her hands do not touch his body at all – she has her hands on the cloth that he is wrapped in. This recognises the belief that the body is sacred. Mary's left hand is turned upwards in helpless resignation, this shows the intensity of her grief and suffering, Others say her outstretched left hand beckons us to share with her, the profound grief caused by the death of her son. The face of Jesus shows no marks of the Passion, no signs of his suffering. He is calm, abandoned to his fate. In this sculpture there is a scene of deep grief and suffering, but also of hope and a hint of resurrection. True love involves suffering. Christ lies, dead and cradled in his mother's arms. This shows Jesus' humanity.