MUSIC 10

Cards (43)

  • First Filipino opera
    Sandugong Panaguinip
  • Sandugong Panaguinip
    • Libretto in Spanish by Pedro Paterno
    • Music by Ladislao Bonus
  • Lakangbini
    Opera by Patricio Mariano
  • Lakangbini
    • Staged at the Metropolitan Theater on December 19, 1933
  • Cultural Center of the Philippines
    • Paved the way for other Filipino operas to be staged at a legitimate venue of international standard
    • Leandro Locsin designed its architectural structures
    • Carlos "Botong" Francisco designed the logo
    • Lucrecia Kasilag became the first Theater Director
  • La Loba Negra (The Black She-Wolf)

    Three-act Filipino opera
  • La Loba Negra (The Black She-Wolf)

    • Acts I and II based on history
    • Act III based on a legend attributed to GOMBURZA
    • Music composed by National Artist Francisco Feliciano
  • Noli Me Tangere
    Three-act opera composed by National Artist Felipe Padilla de Leon
  • El Filibusterismo
    Three-act opera composed by National Artist Felipe Padilla de Leon in 1970
  • El Filibusterismo
    • In three Acts and written in Tagalog
    • First staged at the Cultural Center of the Philippines
  • It is a performance in which a story is told without words by using body movements and facial expressions.
    ballet
  • is a ballet adaptation of Severino Reyes’ folktales. It was meant to instill and rekindle the interest of Filipino youth in the beauty, richness, and heritage of Philippine literature.
    Lola Basyang
  • This is a fantasy story set to neo-ethnic music in a contemporary style. It is about a hero’s fantastic journey to different kingdoms in pursuit of his bewitched sisters
    Ang Kapatid ng Tatlong Marya
  • This is a local version of the Pied Piper tale where the main character mesmerizes his followers through the music of his violin.
    Ang Mahiwagang Biyulin
  • This is a love story where a princess falls in love with a bird.
    Ang Prinsipe ng Mga Ibon
  • This is a romantic adventure wherein the heroine Yani is being maltreated by her envious stepmother and stepsisters.
    Ang Palasyo ng Mga Dwende
  • This is a romantic fantasy of the twelve daughters of the king.
    Labindalawang Masasayang Prinsesa
  • This is a horror-comedy play wherein the cowardly hero Huan tries to overcome his fears in order to win his love.
    Anting-Anting
  • is the Philippine adaptation of the Indian epic Ramayana set to music, dance, and drama.
    Rama Hari
  • one of the two great Indian epics that talk about Indian life around 1000 BC.
    Ramayana
  • When did Opera began to be a part of the Filipino consciousness?
    19th century
  • It is an art and music form in which singers and musicians perform a dramatic work combining text (called a libretto) and music.
    Opera
  • This was premiered at the Zorilla Theater on August 2, 1902. It was later translated by the Englishman M. W. Loving with the title “The Dreamed Alliance”.
    Sandugong Panaginip
  • What Executive Order in 1966 contains the establishment of Cultural Center of the Philippines (CCP)?
    Executive Order No. 30
  • He wrote the novels Noli Me Tangere and El Filibusterismo.
    Felipe Padilla de Leon
  • It is a tragic Opera in three acts written by Patricio Mariano that literally translates to “Muse” and which narrative was based on the Spanish invasion of Manila.
    Lakangbini
  • He is the first Filipino opera impresario who promoted local talents to participate in foreign productions.
    Dr. Ramon Javier
  • One of the main roles of a producer is to oversee the overall aspects of the production. He or she is responsible to the financial and managerial functions of the production.
    PRODUCER
  • provides the overall vision and guidance of a performance, ensuring that all elements are unified, and that production runs smoothly.
    DIRECTOR
  • develops the concepts and puts them into script plays. forms the basis of the entire production
    PLAYWRIGHT
  • is tasked in overseeing the crews for the sets and props, the sound and music, the lighting, and the costumes. He or she manages the behind-the-scenes of the production.
    PRODUCTION MANAGER
  • uses colored lights or filters, as well as special effects such as increasing or lowering the brightness of light, creating flickering effects, and synchs them to create the mood and atmosphere.
    LIGHTING DESIGNER
  • is to create the actors’ costumes or outfits that are suitable to their characters
    COSTUME DESIGNER
  • is responsible in incorporating sound effects to create the right balance of sound, the tempo, and overall effect of the production.
    SOUND DESIGNER
  • notes all the cues, errors, and other issues to iron them out before the actual production.
    TECHNICAL DIRECTOR
  • notes all the director’s instructions in his/her script so that in the absence of the director, he/she can supervise the rehearsals. He/she also checks the attendance and punctuality of the actors.
    STAGE MANAGER
  • is responsible with the dance steps that are suitable for the dance numbers of the production.
    CHOREOGRAPHER
  • makes the actors look real and believable based on their emotions, age, personality as well as the time and place of the events of the play.
    MAKEUP DESIGNER
  • used to create an environment that will bring the script to life.
    STAGE SETTINGS
  • are essential to convey a scene’s objectives and to aid the actors in communicating a scene
    PROPERTIES