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othello critics
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Cards (26)
othello is
insecure
phillips
Desdemona is a
prize
phillips
hideous godless bestial
loomba
desdemona
is a prize
phillips
desdemona
is strong
mendes
desdemona is passive
Bradley
desdemona’s
desire is
punished
newman
duplicity of women
loomba
female openness is dangerous and immoral
loomba
iago fails to understand love
honigmann
emilia is obedient and silent
neely
a man’s love for another man made him more masculine, a man’s excessive love for a woman makes him effeminate
loomba
it is unrealistic for desdemona to fall in love with a black man
coleridge
iago has homosexual desires for othello
wangh
love and hate are interlinked
wangh
cautionary tale against going against your parents wishes
rymer
othello language changes from noble verse to erratic prose to symbolise his descent into madness
knight
iago hates the romance of othello and the loveliness of desdemona because he is cynical
knight
othello cannot cope with the notion that desdemona is less than perfect
coleridge
othello
is always acting
leavis
a woman’s fidelity is a symbol of her husbands virility
khan
iago is a
repressed homosexual
smith
Emilia’s loyalty to Desdemona remains whole
Bloom
Emilia has heroic disobedience
Greenblatt
iago has motiveless malignity
coleridge
iago enjoys a godlike sense of power
honigmann