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FINAL NOTES
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Created by
Emily
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Cards (15)
Medea performed in the Olivier theatre
4th September 2014
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Directed by
Carrie Cracknell
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Written by
Ben Power
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Medea
Greek style with elements of an abstract performance
Movement of the chorus
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Medea played by
Helen McCroy
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Costume
Medea wears a stained white jumpsuit
Never wears dresses or skirts - less feminine
Stain - her guilt or grief
Chorus wear dusty old floral dresses, appropriate for attending a wedding
Kreon and Jason wear suits - symbolises their authority and their formality
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Staging
Natural woodland with dark background
Front stage is bare with a sitting room on stage right which acts as Medea's home
Balcony above the main stage is where the wedding appears to happen and where Kreon and Jason appear from - could symbolise heaven/hell
Swings in the woodland area which the sons use, could symbolise how young they are and their innocence
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Swings swinging
Dramatic when Medea drags on the bodies of her recently murdered sons who had been on the swings just a minute before
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Kreon and Medea's interaction
Medea is desperate and uses a higher pitch, begs on her knees and fondles his hand
Kreon uses a stern tone, good posture and rarely makes eye contact with Medea to show his authority
Kreon states 'I fear your magic'
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Medea's voice
Stern voice but occasionally uses a high pitch when she is extremely desperate
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Find Me written by Olwen Wynmark or something
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Original production of Find Me
In The Orange Tree theater
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Find Me staging
6 former church pews arranged to create a theatre in the round acting space
Could sit 80 people
Minimal costume and no set or props
Staged during daylight and shows were during lunch time
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Find Me
Matched Grotowski's poor theatre as the audience and actors shared a space and the production relied on good quality acting
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Find Me characters
Verity: tries to be happy
Jean: tries to love her daughter and have a happy family
Edward: tries to keep Jean calm and have a nice family
Nicky: wants to be happy
Mark: wants a normal family
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