Rocket as documenter and VO, COG mixes the objective camera that reveals the truth of a sordid and violent area with the highly manipulates and constructed style
60s/70s/childhood aesthetic:
60s – innocence of favela where criminality is in the name of the greater good, warm/yellow tint, 70s – psychedelic phase where peace is chemically induced, things grow more violent, blue and green tint which was avoided in the first part of film
Chaotic/restless aesthetic:
The camera loses control over the image towards to end of the second part of the film to communicate the chaotic world the new generation of children live in due to an indifferent society
