Macbeth and Lady Macbeth’s relationship

• Maches when to changes
• moke Makes
• el orty
• harge her windy
• Ausband howdy
• and l
• ps for the render of Se
• Macbes e Act & Seene
• A lack- composure and re
• ecke's deep seated
• pyshelgelegth Shokpeas werk of
• sinoge of werden, depende
• to Mocket's mee te rekes Implies Lady Mode was Modbeh
• werk. From a feleid perspective, Laily
• Macbeth's feless biclem of Market and bar relevens av vam she sees a grea-funds who change
• ditional ideas about fersivisty witis amb pishy, Merry offes tended to maligs Lady Mache
• her own homes avalia
• Shakespeare uses the shiling mlationship betess Lady Macbeth and Macbeth in Act 3, Scase 3 to carry adidas
• he explores the corruptive dangers of pursing power and greed. The happy masage becames plogued by both experiencing
• cognitive dissonance as a consequence of their hubristic leat for power. Thai gran polis merely leads to use and
• anslaty. Macbeth uses the metaphor 'we have sourd'd the smoke, net kid if to heighten the ironies he less woubled, unwary
• and anxious. He is worried about the rear to his throne and what he will have to do to continue searing it-ake is produtory and
• vesa, perhaps appealing Macher ironicaly as the King's sore and Duce's legal warriers as me when he will need to confine
• to fight even though he has already ked Duscon and rekan s ploce es King. The verb "estched" is symptomatic of violence and
• king and foreshadows the political head Macberk will cause his country fhreagh an inevitable ciel wer. In many ways Macbeth is
• typical Aristotelian tragic here as the tragic here's personel actions usually leads to great pelfical chass and turmal
• Lake Realand
• well they we
• Mark si The
• because of bis en hulehele hat for pen
• Der way, w den
• reage, danoyed
• unchecked orbike bret
• and Mache
• deception, yielded kind
• Made and lawy
• woway he wa
• by air dans
• gllegory in t
• gem of on