MAPEH REVIEWER

Cards (36)

  • KABUKI
    Most known for its iconic red and white makeup and its elaborate costume. Began at the end of the 16th century (1603).
  • NOH
    Developed chiefly in the 14th century. Actors in Noh always wear masks.
  • PEKING OPERA
    also known as the beijing opera. Arose in the late 18th century and became fully developed and recognized by the mid 19th century.
  • 2 MAIN STYLE OF MUSIC PEKING OPERA
    ERH-HUANG - higher sound
    HIS-P'L - lower sound
    They utilize the technique called Fan-Pan
  • SHADOW PUPPET THEATER
    a well- known Indonesian theater
  • WAYANG KULIT
    Indonesian shadow puppet theatre, accompanied by gamelan music.
  • WAYANG
    Puppet
  • KULIT
    refers to the leather construction of the puppets.
  • DALANG
    puppeteer in wayang kulit
  • PEKING OPERA TRAINING
    1911 training took place in more formally organized school. Pupils were often handpicked at a young age.
  • XINGTOU
    known as Xifu in Chinese origins of Peking Opera costume.
  • SHENG
    main role in peking opera
  • XIAOSHENG
    actors are often involved with beautiful women by virtue of the handsome and young image they project
  • WUSHENG
    A martial role who does acrobatics and produces a natural singing voice
  • LAOSHENG
    a dignified older role, these characters have a gentle and cultivated disposition, and wear sensible costumes
  • DAN
    refers to any female role in peking opera
  • LAODAN
    an old woman
  • WUDAN
    martial woman
  • DAOMADAN
    Young female warriors
  • QINGYI
    virtuous and elite women
  • HUADAN
    vivacious and unmarried women
  • JING
    a painted face male role who plays either primary or secondary roles.
    Red - denotes loyalty and goodness
    White - denotes evil
    Black - denotes integrity
  • CHOU
    a male clown role. name means ugly
  • HANAMICHI
    flower path
  • SUPPON
    a platform that rises from below the stage
  • AGE-MAKU
    leads to the small toya where the actors wait for their moment to enter
  • KARI-HANAMICHI
    occasionally set up for certain special productions
  • HIKI-MAKU
    the main stage is covered by the hikimaku curtain
  • YUKA
    an elevated space for musician of the Takemoto school
  • MAWARI-BUTAI
    revolving stage invented by the playwright Nakimi Shoozo in 1758
  • SERI
    allows the character to appear on the stage and even complete stages
  • KURO-MISO
    a room partially covered by the scenary where the Geza musicians play
  • RED
    devotion, courage, bravery, uprightness, and loyalty
  • BLACK
    roughness and fierceness
  • YELLOW
    fierceness ambition, and cool-headedness
  • PURPLE
    uprightness, sophistication, and cool-headedness