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Cards (36)
KABUKI
Most known for its iconic
red
and
white
makeup and its elaborate costume. Began at the end of the 16th century (1603).
NOH
Developed chiefly in the
14th century.
Actors in
Noh
always wear
masks.
PEKING OPERA
also known as the
beijing opera.
Arose in the
late 18th century
and became
fully developed
and recognized by the
mid 19th century.
2 MAIN STYLE OF MUSIC PEKING OPERA
ERH-HUANG
- higher sound
HIS-P'L
- lower sound
They utilize the technique called
Fan-Pan
SHADOW PUPPET THEATER
a
well- known Indonesian theater
WAYANG KULIT
Indonesian shadow puppet theatre, accompanied by
gamelan
music.
WAYANG
Puppet
KULIT
refers to the
leather construction
of the puppets.
DALANG
puppeteer
in wayang
kulit
PEKING OPERA TRAINING
1911
training took place in more formally organized school.
Pupils
were often handpicked at a
young
age.
XINGTOU
known as
Xifu
in Chinese origins of
Peking
Opera costume.
SHENG
main role
in
peking opera
XIAOSHENG
actors are
often involved with beautiful women
by virtue of the
handsome
and
young
image they project
WUSHENG
A
martial role
who does
acrobatics
and
produces
a
natural singing voice
LAOSHENG
a
dignified older role
, these characters have a
gentle
and cultivated disposition, and wear sensible costumes
DAN
refers to
any female role
in
peking opera
LAODAN
an
old woman
WUDAN
martial woman
DAOMADAN
Young female warriors
QINGYI
virtuous and elite women
HUADAN
vivacious and unmarried women
JING
a painted
face
male role who plays
either primary
or secondary roles.
Red - denotes
loyalty and goodness
White -
denotes evil
Black -
denotes integrity
CHOU
a
male clown
role. name means ugly
HANAMICHI
flower path
SUPPON
a platform that
rises from below the stage
AGE-MAKU
leads to the small
toya
where the actors
wait
for their moment to enter
KARI-HANAMICHI
occasionally
set up for certain special productions
HIKI-MAKU
the
main stage
is
covered by the hikimaku curtain
YUKA
an
elevated space
for
musician
of the Takemoto school
MAWARI-BUTAI
revolving stage
invented by the playwright
Nakimi Shoozo in 1758
SERI
allows the character to
appear on the stage
and even complete
stages
KURO-MISO
a room partially
covered by the scenary
where the
Geza
musicians play
RED
devotion, courage, bravery, uprightness, and loyalty
BLACK
roughness and fierceness
YELLOW
fierceness ambition, and cool-headedness
PURPLE
uprightness, sophistication, and cool-headedness