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MAPEH (4th Quarter)
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Cards (28)
Peking
Opera
Combination of
music
,
mime
,
dance
, and
acrobats
Kabuki
Ka-sing;
Bu-dance
;
Ki-skill
or act
Kulit
Means
leather
or
skin
Kabuki
and
Noh
Most important Japanese contribution to world
theater
Ti
Cross flute
that usually played along with singing
Dalang
She/he sings in wayang
kulit
at
regular
intervals during the performance
Nagauta
Most popular
Shamisen
Variety of gongs and Cymbals
Instrument used that creates
rhythmic
and
graceful
melodies
Female specialists
Roles
of women in
Kabuki theater
Nori
Vocal technique adapted from the chanting of
joruri
, implies a very sensitive capacity for riding the rhythm of the
Shamisen
Ipponchoshi
Vocal pattern used in speeches building up to an explosive climax in the
Aragoto
style
Kata
Detailed
choreographed patterns
of movements practiced either solo or in
pairs
Nasal style
Style that is mostly used in the performance of
Noh
and
Kabuki
Nori
Implies a very
sensitive capacity
of riding the rhythms of the
Shamisen
- style used in performing an adaptation of the Chinese Peking Opera
Light source
Element of
performance
for Wayang kulit
Nang
Shadow puppet performance in
Thailand
Combat
Performance elements that include both
acrobatics
and fighting with all manner of
weaponry
in
Peking
Opera
Supon
Platform that
raises
the performers from
below
the stage
Kodo
A professional
Taiko drumming troupe
in Japan
Heartbeat
Primal
source
of all
rhythm
and read in a
different
way
Mudras
Symbolic position in which the hands are held in
Hindu dancing
and
ritual
Sky Lantern
An art of
veneration
, sends a person's
bad
luck and misfortune, considered good luck
Binislakan
Change
step - basic
dance
step
Tiklos
Folk dance that has been a very important factor in the social life of the
peasants
in
Leyte
Pangalay
Means
fingernail
2/4
and
4/4
Time
signature used in
Sua-ku-sua
Recording Beats Per Minute (
B.P.M
)
Used in monitoring his/her
cardiovascular
endurance
Influenced by the Chinese
Binislakan
, Sakuting,
Sua-Ku-Sua