English Quotes

Cards (18)

  • Kerrigan - GHOST
    HAMLET
    MEMORY AND REMEMBRANCE
    REVENGE
    "Hamlet never promises to revenge, only to remember."
  • Belsey - HAMLET
    REVENGE
    CLAUDIUS
    GOOD VS EVIL
    "Hamlet is the victim not simply of temptation to evil but of a moral dilemma,"
  • Mushat Frye - RENAISSANCE
    HAMLET
    FORTINBRAS
    ACTION AND INACTION
    'the idea of the nobleman in Shakespeare's culture was a man of action who was also a man of thought
  • Janet Adelman - HAMLET
    GERTRUDE
    FAMILY
    REVENGE
    FEMININITY AND MASCULINITY
    'the main psychological task for Hamlet.. is not to avenge his father's death but to remake his mother in the image of the Virgin Mother."
  • G. Wilson Knight - HAMLET
    DISEASE
    GOOD VS EVIL
    APPEARANCE VS REALITY
    'Hamlet is... a poison in the midst of the healthy bustle of the court
  • Myron Taylor - HAMLET
    LAERTES
    DEATH
    GRIEF
    CLOTHING
    APPEARANCE VS REALITY
    "Hamlet's grief is real, and not a matter of clothing and appearances; Laetes' grief is all show and no substance."
  • Vin Hanley - CLAUDIUS

    Claudius can smile and smile and yet be a villain
  • Vin Hanley - POLONIUS

    Polonius can appear a tedious, garrulous old fool and still be a scheming, dangerous instigator of mischief
  • Vin Hanley - Rosencrantz and Guildenstern

    Rosencrantz and Guildenstern can hide treacherous intent under the mask of friendship
  • Vin Hanley - Hamlet

    Hamlet's 'antic disposition' is, he assures his friends, merely an appearance, a convenience;
  • Ernest Jones - HAMLET
    GERTRUDE
    CLAUDIUS
    REVENGE
    SEXUAL
    FEMININITY AND MASCULINITY
    "Hamlet's long 'repressed' desire to take his father's place in his mother's affection is stimulated to unconscious activity by the sight of Claudius usurping this place exactly as he himself had once longed to do."
  • Camile Paglia - CLAUDIUS
    KINGSHIP
    STATECRAFT
    REVENGE
    "The people are the body politic: unsettled, manipulated, paranoid, they are reduced to a giant collective 'ear' poisoned by lies - miming the king's secret murder."
  • CT Neely - MASCULINITY
    FEMININITY
    GERTRUDE
    "Shakespeare's tragedies explore deep patriarchal anxieties about female power, about their potential threat and the consequent male effemination."
  • Tassi - GERTRUDE
    WOMEN
    PATRIARCH
    OPHELIA
    "In fulfilling her tragic role, the end crowns all; in the final moments of her life, she performs an extraordinary act which gives Hamlet motive and cue for killing the King."
  • Myron Taylor - POLONIUS
    APPEARANCE VS REALITY
    SPYING
    DEATH
    "Polonius dies at that moment when his being is most clearly revealed; when his existence and his essence are at one, when appearance and reality are identical."
  • Katy Limmer - FRIENDSHIP
    BETRAYAL AND LOYALTY
    HORATIO
    HAMLET
    RENAISSANCE
    ROSENCRANTZ AND GUILDENSTERN
    SPYING
    Shakespeare made the false friends two characters on purpose, in order for them to represent the wider, but necessarily weaker ties of political friendship."
  • Francis Schoff - HORATIO
    ROSENCRANTZ AND GUILDENSTERN
    HAMLET
    FRIENDSHIP
    "Shakespeare created in Horatio an individualised character of sufficient stature to warrant considered analysis and a qualitative comparison of him with the play's protagonist."
  • Mark Matheson - GHOST
    HAMLET
    REVENGE
    CLAUDIUS
    RELIGION
    the Ghost is that it comes not to beg relief for its own pains but to command Hamlet to revenge the death of King Hamlet and to restore order in the temporal political world.