Deception/ Appearance vs Reality

    Cards (14)

    • Othello
      Simultaneously believes he is being deceived by characters who are honest while failing to see the deceit and treachery of characters who are tricking him
    • Othello's view of Iago
      Refers to Iago as "honest" multiple times, showing that he is totally blind to the way Iago is tricking and manipulating him
    • Othello: '"I know thou'rt full of love and honesty / And weigh'st thy words before thou giv'st them breath"'
    • Othello's view of Desdemona
      Naively unable to see that Desdemona is being totally honest, stubbornly convinced that she is deceiving him
    • Othello: '"this is a subtle whore / A closet lock and key of villainous secrets"'
    • Othello makes up his mind that Desdemona is guilty
      All her claims of innocence only enrage him further
    • Othello's inability to correctly identify who is and is not deceiving him makes him act rashly and ultimately lead to violence and tragedy
    • Tragic plot of Othello
      Hinges on the ability of the villain, Iago, to mislead other characters, particularly Roderigo and Othello, by encouraging them to misinterpret what they see
    • Othello
      Susceptible to Iago's ploys because he himself is so honest and straightforward
    • Iago: '"the Moor is of a free and open nature/ That thinks men honest that but seem to be so; and will as tenderly be led by th' nose/ As asses are"'
    • Unreliable reality in Othello
      • Language of the play refers to dreams, trances, and vision, constantly highlights the way in which what seems to be real may actually be fake
      • Shakespeare extends the theme of appearance vs. reality to include the art of playwriting and acting
    • Iago's plot against Othello
      1. Creates scenes within scenes
      2. Sets up encounters between two characters and puts a third in the position of a spectator
      3. Manipulates Othello so that Othello sees the appearance that Iago wants him to see, rather than the reality of what is actually happening
    • Iago
      • Becomes a kind of "director"
      • Directly addresses the audience through his many soliloquies
    • Shakespeare draws attention to the way that a playwright and actors create an appearance onstage that tricks the audience into seeing something other than reality