Semiotic entities as they are built from a structure of complex and interrelated meanings that evolve over time
Polysemic symbols
Sign
Something that conveys a meaning, formed by a signifier (material form) and a signified (idea/meaning)
Relationship between signifier and signified
Arbitrary and dictated by culture
Brand equity
Financial value of goods derived from intangible brand benefits that exceed the good's use value
Brand meanings
Deliver benefits to consumers in the form of perceptions of quality, symbolic relationships, vicarious experiences, or sense of identity
The extent to which consumers recognize, internalize, and relate to brand meanings has tangible impact on the firm's financial performance
Brand meaning
The condition of possibility for creating brand value
Semiotics
The social-science discipline devoted to the study of signs, texts, discourses in a cultural perspective
The ensemble of signifying operations at work in a sign system, such as a brand, an advertising text, or a retail setting
Semiosis
The dynamic of meaning production
Semiology
A synonym of semiotics when referring to the science of signs
Semiotics
Exceeds the rhetorical or content analysis of meaning because it sheds light on the cultural codes that structure the phenomenal world into semantic categories and implicates consumers in the brand world
Can be used to refocus, extend, or reposition the brand, or to develop new products or new segments and markets
In North America, semiotics research is typically commissioned at the end of a strategic decision-making process to develop creative communication strategy
Semiotic research should form the cornerstone of brand equity management, since brands are essentially sign systems that contribute to profitability
Semiotics
Adapts linguistic theory to the study of nonverbal signs and symbols and anchors them in the culture of consumers
Transcends the analysis of communication per se and can be used strategically to align the brand with its heritage and positioning and clarify competitive distinctions
Content analysis
A methodology used by social scientists to develop hypotheses about a market or social group, track changes in social trends over time, and draw attention to the underlying attitudes, values, and political tensions within a culture
Advertising is a sort of "conduit" for transferring meanings from the world of culture to the world of consumer goods
Culture influences advertising, but at the same time advertising helps shaping culture
Marketing semiotics research process
Involves collecting and decoding data from consumers, popular culture, and the brand history
Data is classified into groups ordered in a hierarchy of larger to smaller units of meaning, beginning with the broad cultural categories associated with the consumer target
Cultural categories are analyzed further into emotional territories that bind the brand to the lifestyles and values of consumers
Consumer Brandscape
A system of interrelated elements which reflects the integration of culture, consumer experiences, and the communication function for the brand
Binary Analysis
1. Identify the key benefits consumers associate with a product category
2. Understand how a specific brand is positioned in relation to those benefits
Luiss Marketing Semiotics Chapter 2 Libera Università Internazionale degli Studi Sociali Guido Carli April 8th, 2024
Luiss Marketing Semiotics Case-study Citroën Libera Università Internazionale degli Studi Sociali Guido Carli April 8th, 2024
In 2010, the French car manufacturer Citroën launches an advertising campaign to promote the new DS3 model
By plotting binary pairs on a grid, we can identify the positioning of brands and reveal unoccupied spaces of meaning in which competitive brands or brand extensions might be positioned
New Citroën DS3 model
Keeping the main features that identify the Citroën heritage
Modern
Innovative
Represents a window towards the future
Symbolic consumption
Goods often transcend their functional purpose and have symbolic value for consumers
Anti-retro slogan
Aimed at underlining the drive towards novelty and innovation
The controversial campaign uses old montages of two famous celebrities, John Lennon and Marylin Monroe, to convey the anti-retro message
Citroën positions itself
In a space where the "retro" becomes an inspiration to create something new and unique, just like the new Citroën model
Brands are defined by their symbolic value for consumers, since brand meanings differentiate competitors in the marketplace and target the unmet symbolic needs of consumers
Consumption in the social order
Consumers engage in symbolic consumption from the moment they use goods as signs
The meaning and force of consumption are woven into the shared values, beliefs, and relationships that structure society
Citroën
Founded by André Citroën in 1919
Historic brand of the automotive industry
Pioneer of technological innovations
Known for its iconic style all over the word
Consumption reflects and regulates the cultural conventions, myths, and social order of a society
Citroën logo
Symbolizes a particular type of gear cut, called a "chevron", which the founder saw during a trip to Poland
Structuralism
Based on the assumption that meaning production is a system of relationships codified by culture
These semiotic relationships actually structure, rather than mirror, reality
Roland Barthes: 'The D.S. - the 'Goddess' - has all the features of one of those objects from another universe which have supplied fuel for the neomania of the eighteenth century and that of our own science- fiction: the Déesse is first and foremost a new Nautilus'
Structural semiotics
A form of critical analysis based on the proposition that the world as we know it is structured, like language, into smaller to larger units of meaning that relate to each other in an organized system
Since marketing relies on collective perceptions and behaviors in the marketplace, structural semiotics can be important for developing products, positioning brands, and creating advertising
DS Citroën
Represents a new phenomenology of assembling: from a world where elements were simply welded, to a world where elements are juxtaposed and hold together by sole virtue of their wondrous shape
Exaltation of glass surfaces, which are vast walls of air and space
The winged logo seems to represent the passage from the category of propulsion to that of spontaneous motion, from that of the engine to that of the organism (humanized art)
Structural Anthropology
The collective unconscious: conscious phenomena are the product of unconscious, universal structures or codes
The deep structure of culture and the general codes: culture resembles language inasmuch as it is organized by means of codes structuring the collective unconsciousness
The cultural system: culture gave rise to social structures, rather than the other way around